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The catalogue entry the section above was filed under.
974 NPS Form 10-900 (Rev. 8-86) OMB No. 1024-0018 UnitedStates Department ofthe Interior National Park Service : National Register of Historic Places Registration Form JUN 2.9 1989 NATIONAL REGISTER This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries.
Name of Property historic name Massachusetts School of Art other names/site number Massachusetts College of Art 2. Location street & number 364 Brookline Avenue city, town Boston state Massachusetts code 025 county Suffolk N/A not for publication N/A vicinity code 025 zip code -- 3. Classification Ownership of Property private public-local public-State public-Federal Category of Property building(s) district site structure object Number of Resources within Property Contributing Noncontributing 0 buildings sites structures 0 objects Total Number of contributing resources previously listed in the National Register - Name of related multiple property listing: N/A 4.
State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this request for determination of eligibility meets the documentation standards for registering properties in the NationalRegisterof Historic Places andmeets the proceduraland professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets does not meet the National Register criteria. See continuation sheet. Valene Signature of certifying official alnnage 6 Date 22/84 Executive Director, State Historic Preservation Officer, Massachusetts Histerical State or Federal agency and bureau Commission In my opinion, the property meets does not meet the National Register criteria. -See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5.
National Park Service Certification 1, hereby, certify that this property is: entered in the National Register. See continuation sheet. determined eligible for the National Register. See continuation sheet. determined not eligible for the National Register. Boz-Sawge 8/8/87 removed from the National Register. other, (explain:) _ Sot Signature of the Keeper Date of Action 6. Function or Use Massachusetts School of Art, Boston, Massachusetts Historic Functions (enter categories from instructions) Current Functions (enter categories from instructions) Eaucation: school Education: college Education: college 7.
Description Architectural Classification (enter categories from instructions) Late 19th & 20th Century Revivals: Late Gothic Revival Modern Movement: Art Deco Materials (enter categories from instructions) foundation- walls concrete brick roof other tar & gravel Describe present and historic physical appearance. The Massachusetts College of Art, a substantial tan brick and concrete trimmed Art Deco and Collegiate Gothic building, stands on a large lot at the southeast corner of Brookline and Longwood Avenues. Its main (north) facade overlooks a relatively ample tree and shrub dotted lawn which is one of the very few open "green" spaces in its immediate densely built-up area.
This building was erected in 1929 as the fifth home of the Massachusetts College of Its design was provided by the Boston architectural firm of Henry and Richmond,successorsto the practice of prominent architect Guy Lowell. Historically, the college's area was part of Roxbury, but it is currently part of the Fenway section of Boston. The college is located two blocks to the southeast of the Muddy River, a meandering stream which forms the boundary between Boston and Brookline, the neighboring town. The college's surrounding area is characterized by sprawling medical and educational complexes and a few multi-family row houses and apartment buildings. The majority of the college's neighboring masonry institutions are rendered in the Classical Revival and Georgian Revival styles.
The Massachusetts College of Art at 364 Brookline Avenue is set back approximately thirty feet from Brookline Avenue. To the east and west are the modern buildings of Beth Israel and Children's Hospitals, respectively. To the south, adjacent to the college's asphalt paved parking area is a recently completed Post-Modern masonry commercial office building. Tennis courts and a grass covered recreation area are located behind a tall fence across Brookline Avenue from the college's main facade. Diagonally across the Brookline andLongwood Avenue's intersection from the college is the area's oldest building, a masonry former fire station (c. 1870s), which has been altered for commercial purposes. The plan of the college is essentially T-shaped. Its main facade is characterizedbyblocky projecting and recessed flat roofed masonry components which vary in height from one to four stories.
Its four X See continuation sheet NPS Form 10-900-s (8-86) United States Department of the Interior National ParkService National Register of Historic Places Continuation Sheet Section number _ / - Page - OMB Approval No. 1024-0018 Massachusetts School of Art Boston, Massachusetts story center pavillion is set back behind a one story masonry segment with main entrances at either end of its principal facade. Flanking the center pavillion are three-story wings, from the center of which rise skylight surmounted fourth floors. The college's rear elevation features a center auditorium ell flanked by wings. Both ell and wings rise to a height of 5 stories, the rear wall being a full story below the grade level of Brookline Avenue. The college's various masonry components are enclosed by flat tar and gravel roofs.
The Massachusetts College of Art's Brookline Avenue building is characterized by a unique fusion of "modern" architectural form and fenestration with architectural historicism. Here, Art Deco form has beensuccessfully combined with industrial window treatments, Collegiate Gothic elements and symmetrically placed medallions exhibiting Classical Revival high relief concrete sculpture. The west (front) elevation features a four story, six bay center pavillion. Interspersed between the center pavillion's six bays are seven brick and concrete trimmed buttresses. The first, third, fifth and seventh buttresses terminate in stylized Art Deco gargoyles. The remaining buttresses culminate in simple concrete caps.
The center pavillion's arched fourth floor windows strike a Georgian Revival note on a building whose fenestration generally 1ooks to large, multi-pane metal sash industrial windows for inspiration. The fourth floor's windows are surmounted by oval concrete medallions bearing Classical Revival high relief sculptural figures symbolizing painting, industry, drama, pageantry, time and light, and architecture and sculpture. Projecting from the center pavillion is a one story, 8-bay structural component bracketed by the main entrances with Collegiate Gothic enframements. These entrances are reached via short flights of concretestairs with wrought iron railings. Flanking these stairs are low concrete platforms. Both stairs and platforms exhibit adverse effects from wear and weathering. The entrances which contain modern, transom topped metal double doors, are recessed within segmental arches.
The underside of each arch is enlivened by well-executed, rosette studded ribbing. These entrances are flanked by smooth concrete wall surfaces which surround rectangular brickwork sections. Above each entrance is a large placque bearing an inscription composed of raised lettering. continued NPS Form 10-000-a (8-80) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number - 7 - Page_ 2 Massachusetts School of Art Boston, Massachusetts That above the eastern entrance reads: "THE USEFUL AND ELEGANT ARTS MINISTER TO THE COMFORT OF MAN AND GLADDEN HIS EYE WITH BEAUTY MASSACHUSETTS SCHOOL OF ART FOUNDED MDCCCLXXIII." The inscription above the western entrance proclaims: "EVERY GENUINE WORK OF ART HAS piers from which are suspended Gothicized wrought iron lanterns.
The main entrance's enframements culminate in crennelated parapets dominated by a large label molding containing a heraldic shield. The main entrances, in turn, flank the one-story center component's eight-bay main facade. Eight small windows (now boarded) appear at this section's basement level. The first floor features three double windows with heavy and deep concrete surrounds. These double windows, in turn, are flanked by small and narrow windows set high in the wall. The main facade's three-story wings are characterized by narrow center entrance baysflanked by ranges of four windows. Gargoyle-topped buttresses provide vertical accents which counter the horizontality of the wings and visually separate the entrance from flanking windows. The wings' entrances are illuminated by wrought iron lanterns.
Above these lanterns are tall and narrow double windows which illuminate an interior stairway. These windows are enframed by heavy and deep concrete surrounds and are surmounted by square medallions exhibiting high relief concrete, Classical Revival sculptural figures. The entrance bays are flanked by four standard size windows at basement level and four tall first floor windows which display simple concrete sills. The first floor windows are surmounted by raised brickwork panels set within a recessed surround. Above these panels is a concrete course which links the buttresses' gargoyles. The wing's main facade's third level is devoid of windows, culminating in a course of brick billetwork at the cornices. At the center of each of the three story wings is a fourth story which is surmounted by a skylight.
This fourth floor is linked to the center pavillion by a windowless, planar wall surface located behind each entrance. Near the top of each of these walls is a large placque containing concrete high relief Classical Revival sculptural figures of men and horses. The side elevations (north and south facades) are rendered similarly to that of the wings' main facades, exhibiting windows on three levels continued OMB Approvel No. 1024-0018 NPS Form 10-000-s (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Massachusetts School of Art Boston, Massachusetts Section number _ / Page 3 ranged in groups of three, four and three. These groups of windows are interspersed with brick and concrete buttresses which culminate in stylized Art Deco gargoyles.
The rear (east) elevation is composed of a projecting five story auditorium wing flanked by five story wings. The rear elevation's wings are formally finished in a manner similar to that of the side walls and main facade. Projecting from the first floor of the west nalt of the wing's rear wal1. More extensive corrugated metal and one-story corrugated metal shed which extends across concrete additions project from the north wing. The auditorium ell's facades are treated in a plain, utilitarian manner devoid of ornamentation. In generalthe exterior brick work of the Massachuseets College of Art as well as the concrete trimmings and metal window sash appear to be in good condition. The interior of the Massachusetts College of Art is generally characterized by utilitarian finishes, with the noteworthy exception of four interior spaces.
The foyers of the main entrances feature Gothic-inspired ribbed vaulting. The auditorium, which seats 500, possesses attractive dark wood, multi-panelled wainscoting and an ample stage. The former auditorium lobby, located between the foyers, is illuminated by leaded glass windows and enclosed by a vaulted ceiling. This room was converted for use as a gallery by closing off the original main entrance to the auditorium. Until recently, the large room on the fourth floor of the center pavillion contained a library. Presently used as a studio, each of its arched windows posseses a single stained glass pane depicting legendary figures such as Brunhilda, Siegfried, King Arthur, Ulysses, and Prometheus. These panes are executed in the manner of medieval painted glass.
The Massachusetts College of Art's property may contain archaeological resources associated with agricultural land use for the period pre-dating the 1870s when the College's land was owned by various Roxbury farmers. Cartographic evidence suggests that the college was the first building erected on this site, precluding the remains of a farmstead's foundation. OMB Approval No. 1024-0018 8. Statement of Significance