From the form
The catalogue entry the section above was filed under.
NPS Form 10-900 (Rev. 10-90) RECEIVED 2280 OMB No. 1024-0018 OCT 71999 United States Department of the Interior National Park Service NAT. REGISTER OF HISTORIC PLACES NATIONAL PARK SERVICE National Register of Historic Places Registration Form 1304 This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions.
Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Congregation Adath Jeshurun other names/site number First Haitian Baptist Church 2. Location street & number 397 Blue Hill Avenue _ not for publication city or town (Roxbury) Boston _ vicinity state_ Massachusetts code_MA countySuffolk code_025 _ zip code_02121 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that thisls nomination - request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60.
In my opinion, the property Kmeets -does not meet the National Register Criteria.I recommend that this property be considered significant - nationally O] statewide ocally. (- See continuation sheet for additional comments.) dith M.Danous 922 Signature of certifying official/Title Judith B. MgDonough, Executive Director Massachusetts Historical Commission, State Historic Preservation Officer State or Federal agency and bureau In my opinion,the property meets -does not meet the National Register criteria. (D See continuation sheet for additional Comments.) Signature of certifying official/Title State or Federal agency and bureau 4. Natfonal Park Service Certification I, hereby certify that this property is: M entered in the National Register - See continuation sheet. - determined eligible for the National Register - See continuation sheet.
- determined not eligible for the National Register D removed from the National Register - other (explain): Date Beo TH. Ball Date of Action 11-12.99 Congregation Adath Jeshurun Name of Property 5. Classification Ownership of Property (Check as many boxes as apply) x private -public-local - public-State _public-Federal Suffolk, Mass. County and State (Check only one box) x building(s) _district _ Site _ structure _ object Number of Resources within Property (Do not include previously listed resources in the count.) Contributing 1 Noncontributing Name of related multiple property listing (Enter "N/A" if property is not part of a multiple property listing.) 1 building sites _structures _objects _ Total Number of contributing resources previously listed in the National Register 6.
Function or Use Historic Functions (Enter categories from instructions) Religion /church Education / church school Auditorium / hall Current Functions (Enter categories from instructions) Religion / church Edcuation / church school Auditorium / hall 7. Description Architectural Classification (Enter categories from instructions) Romanesque Revival Materials (Enter categories from instructions) foundationstone walls_ brick roof slate other Narrative Description (Describe the historic and current condition of the property on one or more continuation sheets.) MPS Form 10-900e 13-00 United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OM8 Approvel No. 1024-0018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass.
Section number -/ - Page - Architectural Significance Adath Jeshurun is an adaptation by a disparate immigrant group of architectural styles to fit not only a religion but a culture. It was a collaboration between the Jewish founders of the congregation, a Christian Scientist architect, a Jewish builder and his 24 year old son who had just graduated from the Harvard School of Architecture in 1905. It is an exceptional architectural statement of an unusual use of Romanesque styles and polychromatic brick. It takes common ecclesiastical forms and molds them into not only a religious building, but a unique social center. Its prominent siting, scale and massing makes it the most significant building on Blue Hill - Avenue. The Hakalah, or Jewish law, did regulate certain aspects of the synagogue.
- There must be windows so that the supplicant can see the sky, the sight of which was to inspire reverence and devotion. - The entrance was to be placed on the east side facing Jerusalem, reminiscent of the ancient practice in Israel. - The ark should be on the eastern wall so congregates will pray in the direction of Jerusalem. - The building should be on the highest spot and be the tallest building in the community. Architect Fred Norcross, designed Adath Jeshurun in the Romanesque Revival style in which the round arch is the dominant stylistic motif. Lacking an architectural tradition, Jews borrowed the building styles from existing secular forms with which they were familiar with in Europe: town halls and monasteries. The Romanesque style also distinguished the synagogue from Christian churches which were usually in the English Gothic style.
The style also implied that the Hebrews were European and not exotic Levantines. More importantly, Kaufman astutely notes that the Romanesque style " reflected the (continued) MPS Form 10-800-e B-0G United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Apprevel No. 1024-0016 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number - Page - immigrant origins of the ethnic church," particularly " the parish churches of the immigrant Catholic churches designed by Patrick C Keeley " and others. The single most distinctive feature of Adath Jeshurun - which makes it the most significant and imposing structure on Blue Hill Avenue-are the twin towers. Not only do they soar 84feet above the Avenue, but the yellow brick trim makes them seem even higher.
These towers have the precedent of the steeples of a Christian church, as Kaufman states. The finest synagogue in America at the time was the magnificent Temple Emanu-El built in New York City in 1868. The temple - designed by Leopold Eidlitz - is dominated by twin towers with Romanesque colonettes The towers also have roots in the tradition of the fortress synagogue. On the Russian and Ukranian frontiers where Jews were forced to live, attacks on them were common and bloody. The synagogue - like the 17th century garrison house -was also built as a fort. It had solid walls and towers which served as lookouts and gaols. The towers of Adath Jeshurun have suggestions of battlements in the corbel frieze of panel brick below the gable and dome.
The copper covered iron Moorish domes on each tower are clear reminders of the Middle Eastern roots of the faith, and are the feature by which the immigrant synagogue is set apart from the careful design of the assimilationist congregation of Adath Israel. The domes are more subtle than was originally planned. The front elevation published in the Boston Sunday Herald of May 7, 1905 shows the domes to be taller. The emerging Jewish community of Roxbury built an imposing building but was hesitant to stand out too much. So they kept the "foreign" iconography on the street facades to a minimum. In keeping with the Halakah, the synagogue faces due east. It was built on a main street of the community and towers over every other building around it.
But it was not built on the highest point in the community; that location would have been at the intersection of Blue Hill Avenue and Washington Street. In the interior, the bimah and the ark face east, but are located within the west wall. This meant that the cantor and rabbi had to turn their backs to the east - to Jerusalem - when reading the Torah. This (continued) VPS Form 10-900-e 0-00 United States Department of the Interior National Park service National Register of Historic Places Continuation Sheet OMB Approvel No. 1024-0016 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number - Page. adaptation of synagogue law and American culture was not new. The first break with tradition was in the second temple of Ohabai Shalom. In 1863 it bought and converted a former Universalist Church across the street from its first synagogue.
In that remodeling the ark faced westward. The structure measures 68 feet on its front at Blue Hill Avenue and is 140 feet long on Brunswick Street. It is 69 feet high from the sidewalk to the roof beam at its highest point. The gabled facade is flanked by twin symmetrical towers 84 feet high, topped with domes made of galvanized iron and covered with copper. The Jewish Star, or Magen David, also of iron and copper, is delicately balanced on a pinnacle on the crown of each dome. The Star is two feet high. The foundation and entrance porch was built of block granite block. The walls were built of load bearing brick from 16 to 20 inches thick. The gable roof was laid with slate as well as the shed roof above the interior aisles. Norcross used the architectural language of the Romanesque Revival in different ways at Adath Jeshurun. It is a building intended to stand out.
The twin towers, which are 21 feet square, are set close to the street and capped with Moorish domes they can be seen a quarter of a mile away. The domes have a radius at the base of 15 feet. But what is most distinctive is the yellow brick trim against dark red walls which frames every architectural feature of the building. Quoins of yellow brick run up the four corners of each tower and frame the huge arched rosette windows on the front and side elevations. The corbel table on the steep gable above the tall round arch front window and at the top of the towers below the domes are also of yellow brick, all of which gives the feeling of great height. The towers are connected by a corbel table of yellow brick on which rests the frame of the window. The yellow brick corbel table also connects five sandstone arch spandrels which rest on Corinthian columns cut also from sandstone.
These arches are the main entrance to the sanctuary. The use of yellow brick against red brick walls is equally dramatic on the side elevations, particularly along Brunswick Street. Here the facade is broken up into six bays by columns of projected (continued) MPS Form 10-900e (8-06) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approvel No. 1024-0016 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number - Page - yellow brick. The bays are connected by a yellow brick corbel table at the cornice line.
Within each bay are tall arched windows framed with quoins A low brick box of red brick trimmed with yellow brick at the end of the sixth bay is the vestibule entrance that leads directly to the offices, kitchen and social hall; although every other section of part the building can be accessed as well. The door is framed in yellow brick as well as the quoins.This unimpressive box is the principal entrance to the social salon called Brunswick Hall which Norcross designed to appear almost like a separate building. A gabled roof is flanked by two narrow chimney towers that extend to just a little above the roof line made of yellow brick relieved by a strip of recessed red brick. Centered in the red brick wall is a massive tall arch window which grows out of the basement. It dominates the Brunswick Street elevation because it is the only feature in a wide wall of red brick.
It is a much like the window on the Blue Hill Avenue facade and like it is framed in yellow brick. Two squares of single red bricks in a panel of yellow brick separate the round arch window from the square basement windows which allow light into the offices slightly below the grade of the street. A short trench separates the basement from the sidewalk. Although Romanesque Revival in style, Adath Jeshurun mostly ignores the horizontal massing of that form except for the five spandrel arches in the front. This is a vertical building; Romanesque - Gothic. The towers are made to appear even taller by the yellow brick trim, which also lightens the mass of the building. The steep gable, the exterior structural buttresses on the Brunswick Street elevation, the narrow chimneys of Brunswick Hall and the tall round arch windows all lead the eye and the spirit upwards to God.
The towers provide access to the women's galleries in the sanctuary and light on the stairwells is provided by vertical strip windows on two sides of each tower capped with a round arch of red panel brick. The windows are divided into thirds and each band has within it two round arch windows in the shape of the tablets of the Ten Commandments. (continued) MPS Form 10-000-e (5-00) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approvel No.10240018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number _ Page - synagogue sits hrigh above and clost to the strect. Blue Hill Avenue is narrow at this part of its straight route from Dudley Street te Mattapan Square, and there is very little set back of the building, only enough for the entrance porch.
Its perpendicular site makes it almost an urban church. It uses the topography well to break up the interior spaces. Brunswick Street slopes upward from Blue Hill Avenue and the building sits below grade. The basement level is high. Entrance to the sanctuary is by a stone porch with a flight of steps on each side that lead to a recessed gallery framed by the five connecting arches. The arches rest on Corinthian columns of sandstone. Access to the basement is by a door built into the center of the street wall of the porch. Wooden swing doors carved with Jewish Stars - since replaced - lead to a long corridor along which were organized the directors office, banquet hall, classrooms and the bet ha midrash; all of which were completely separate from the main sanctuary above. The porch has subtle eye level decorations of the Jewish Star and Lion of Judah.
These were cut from the blocks of granite and are slightly raised. They are the only suggestion to the passerby that this was not a Christian church. Although a brash building in every other way, Jews were still a minority in Roxbury and Dorchester and they were apprehensive about calling too much attention to themselves. So the iconography was kept subtle and mostly on the gable and tower domes. Three Jewish Stars were also cut in stained glass in the top curve of the rosette window on Blue Hill Avenue. The present congregation removed them with the rest of the window during the 1988 renovations to the building. Interior Adath Jeshurun is a strong and solid brick building from the main street- indeed it is one of the largest brick buildings in Roxbury today. The interior is distinguished by richly carved wood paneling and complex plaster work attributed to the craftsman David Krokyn.
The synagogue is divided into upper and lower spaces. The richly ornamented ceremonial upper synagogue is devoted to the sanctuary and social hall; while the basement level contains the bet ha (continued) MPS Form 10-800-e (0-46) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approvel No. 1024-0018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number _ Page. midrash, banquet hall, director's office and classrooms. A long horizontal hall and stairwell divides the sanctuary from the social hall. Both upper and lower synagogue are entered by the ceremonial stone front porch which projects from the building's Blue Hill Avenue facade. Heavy oak doors set into the street level of the porch was the entrance to the lower synagogue.
After passing through a small vestibule with two side rooms which were originally bathrooms, another set of swing doors - still in place - opened out to a 40 foot long corridor, 14 feet wide. The banquet hall and a classroom were on the left and the spacious director's office and the bet ha midrash on the right side. The largest rooms were the banquet hall and the bet ha midrash. Natural light once entered from tall windows in basement wall; all but one of these were bricked up in the 1988 renovation. The former bet ha midrash still retains the original wooden high backed pews, raised platform and reading stand. At the end of the corridor, a third set of swing doors leads to a hallway spanning the building's width with stairwells at each end. These stairs lead to the upper synagogue: the sanctuary, women's galleries and the social hall. There is no center door to the synagogue.
Entrance is from side doors in the towers. Worshippers walk up the steps from the sidewalk and turn to the right or left, through the recessed arcaded portico framed by the five arch spandrel, to the entrance doors. The wall behind the portico is fenestrated by three pair of round arch windows set at eye level providing light to the vestibule inside. The central bank of windows is framed on each side by marble tablets. These are one of the most unique features of any church in Boston and are not found on any other synagogue. These tablets in the shape of the Ten Commandments were carved with the dates of the incorporation of the congregation, the dedication of the building and the names of the officers and the founders. At the bottom are two Jewish Stars. The tablets on the left have been painted over but the paint is chipping to reveal bits of carved inscription.
Within the towers are wooden stairs leading to the women's galleries. The top of the north tower contained a women's' toilet facility and the south tower had the rabbi's office. The north tower interior is more plainly dressed of wood. In contrast, the interior of the south tower has a marble floor and wrought iron rail banisters. After entering the synagogue, women and children would climb to their seats in the horseshoe shaped gallery while the men would enter the main sanctuary through one of three sets of (continued) MPS Form 10-900- (6-00) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approvel No. 1024-0018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number _ Page - 7 swing doors: one each side aisle and the third to the center aisle.
The center door was built into a long and narrow vestibule where coats would be hung and boots stored during services. The sanctuary is 60 feet long and 34 feet wide. It is 44 feet high from floor to the center of the ceiling. Entering through the center doors, worshippers would face an enormous round arch reredos 32 feet high set in the west wall with three points: at the center and on each side. It reaches from the floor to a vast barrel vault ceiling. The reredos and the ceiling are framed by plaster and wood decorations featuring Classical motifs of garlands and shells. Today this ornamental trim is painted in a rich dark gold providing a stunning contrast to the bright white curved ceiling and walls. The reredos is a very symmetrical design with a lunette balanced on three arches, the columns of which are draped with garlands. The arches spring from a dentiled cornice.
Nestled in palm branches beneath the central arch is an open book representing the Five Books of Moses. Raised seashell designs resting on narrow double bands are in the flanking arches containing recessed niches. On the crown of the lunette is a plasterwork detail of a harp and scroll which creates a vertical feel to the reredos when sitting in the sanctuary seats. The background of the lunette contains a freshly repainted scene of Mt Sinai. The stunning centerpiece of the lunette is a large raised frame of thick plaster set on a low entablature in which are set marble tablets painted in Hebrew with the Ten Commandments. The tablets are framed by gold leaf plaster decorated with garlands and surmounted by a plaster crown.
When the reredos was originally built, flanking Lions of Judah were painted on either side of the tablets giving the illusion that the Laws were being supported by these two guardians. The lighting fixture above the open Books of Moses was the Ner Tamid, or Everlasting Light that would have illuminated the ark of the Torah. The light is still in place. The Torah is the handwritten parchment scroll which contains the Books of Moses the most sacred of Jewish religious objects. The (continued) MPS Form 10-900-e 18-04) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approval No. 1024-0018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number - Page -8 Torah was kept in the ark, or Okon Hakodesh, a finely carved cabinet set into the reredos at the level of the bimah or reading platförm.
The ark was built into the wall directly underneath the Ten Commandments. The ark has been removed, but still visible today are the holders which contained the six Torahs owned by the congregation. Flanking the ark set in row concave niches of the reredos were two high back, round arch heavy oak chairs in which the cantor, rabbi and other dignitaries would sit. The chairs remain today and are set in the center if the platform which extends out from the reredos. This raised platform was called the bimah. It was always built in or near the center of the sanctuary of the synagogue and was used for the reading of the Torah. The bimah was beautifully made of carved and turned white oak with a railing. Flanking the reredos are two tall projecting boxes that extend above the ark. These were (and are) enclosed heating ventilation systems.
They originally had carved wood paneling that matched the ark and were capped with glass domes. A richly modeled cornice, of dentils and egg and dart design, pulls off from the lunette of the reredos and encircles the entire hall of the sanctuary to the round arch rosette window on the east wall. It connects twelve arches resting on Corinthian capped columns which supports the barrel vault ceiling. The twelve arches and the twelve bays they create - six on a side - represent the twelve tribes of Israel. The arcade rests on the supports of the galleries. There are twelve columns, 10 feet apart and six on a side, with Corinthian capitals. Waist high carved white oak panels are set between the arches to block any sight of the women by anyone seated on the bimah or in the sanctuary.
The cornice and the insides of the arches are painted a dark reddish brown that is in striking contrast against the stark white walls. Above each arch at the base of the barrel vault ceiling are twelve sets of twin arch windows, representing the twelve tribes as well as the tablets of law. Although boarded up today, they were intended to provide dramatic overhead natural light that would come down in narrow shafts on days of clear sunshine. Light to the galleries was provided by half moon windows set along the floor of the top platform of the seating area. A few still have their original stained glass. (continued) MPS Forme 10-800-e (8-09) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approvel No. 1024-0018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number - Page.
Adath Jeshurun was a modern synagogue in that it took full advantage of electricity in all of its spaces. The sanctuary was lit by three huge electric light chandeliers set into the barrel vault ceiling. Three chandeliers still provide light today but appear to be from the 1930's. The clerestory windows, the galley windows, the tall windows - still with original stained glass - set along the side walls of the aisle and the tall arch rosette window on the east wall are reminders of the time when natural light was all that was available. Between 1936 and 1944 three bronze memorial plaques measuring five feet square were installed to honor the founders and members of the congregation. On the right of each name was a small light that would be illuminated on the anniversary of that member's death.
Two of the most significant founding -members had separate plaques, Nathan Pinansky and George Wyner. The synagogue could sit 1200 people. Long wooden pews carved of red oak line the main sanctuary, the aisles and the galleries. These still exist today. The same pews can still be seen in the bet ha midrash. The ends are carved with tablets in low relief. To maintain traditional Jewish values, Adath Jeshurun included not only a sanctuary but a social hall as well. Although common in Catholic and Protestant churches, it was a departure in synagogue architecture in that it was built into the structure of the synagogue. Called Brunswick Hall, the center was set perpendicular to the sanctuary and separated by a long hall, measuring 64 feet long and 34 feet wide. The kosher kitchen, rabbi's office and lavatories were built below the hall.
Brunswick Hall was planned for weddings, bar mitzvahs, dinners and dances for the synagogue as well as for the Jewish community as a whole. It was remodeled in the mid 1930's. The ceiling is flat and the wall paneling is molded in art deco style with low relief columns on top of which also in low relief is the Jewish Star. Each end of the hall had a huge rosette window. A stage was built at the south end of the hall. (continued) MPS Form 10-900-4 18-84 United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OM8 Approval Na. 1024-0016 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. 10 Section number - Page There were three large identioal stained glass windows in Adath Jeshurun; one was placed in the arch of the east window overlooking Blue Hill Avenue before it was removed during the 1988 remodeling.
This was still in place, albeit broken in sections, in 1985. The two that remain are both wheel windows in Brunswick Hall. Each is 13 feet in diameter with eight petals around a four foot diameter wheel. They are strongly based on the architecture of the building and fit the wall very well. The original plan shows a Jewish Star made of glass in the center of the wheel. The organic design of the window includes flowers and vines created of textured and opalescent glass; the flowers and vines motif either replaced the Star during a later remodeling by the congregation or was dropped when the window was made. The type of design and the glass used was very popular between 1885 and 1910; it is a classic example of Edwardian Era decoration of public buildings in the first decade of the 20th century. It is a style created as a public statement not a spiritual one.
The windows fit in with the taste of the day in which the synagogue was built; indeed the style is still popular. The variegated green and blue glass indicates that it is definitely American made. A strenuous fund raising effort by the First Haitian Baptist Church was begun in the mid 1980's to repair the old building. In August of 1988, $90,000 had been raised and the building permit was issued in October of 1988. Renovation and repairs of the exterior took place between 1989 and 1990 in a most respectful way to the integrity of the original architecture. The slate roof of the nave was repaired and the asphalt shingles on the roof over the aisles were replaced. All the windows were reset and waterproofed and the brickwork repointed and cleaned.
The decaying copper on the domes was replaced or cleaned, The clerestory windows in the barrel vault ceiling were boarded over as were all but one of the basement windows. The small eye level windows on the street level of the porch were blocked up, The old swing and roll up doors at the street level of the porch were removed and a new roll up metal security gate installed. The most significant change was the removal of the original rose window of the east facade, which had badly decayed over time. The frame was repaired and a new window created of glazed glass, opaque panels and colored glass in a rosette shape applied to the interior of the window. In contrast all the (continued) MPS Form 10-900-4 (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet OMB Approvel No.
1024-0018 Congregation Adath Jeshurun Boston (Suffolk Co.), Mass. Section number - 7 Page - 11 vrigimat stained glass in the tatt windows of the nave were retained and repatred. After the frames and glass were repaired, vandal resistant guard was placed over the original stained glass window facing Brunswick Street. In the interior, the original carved Torah ark and reading stand were removed by the synagogue leadership in 1967. The most dramatic change has been the painting done over the last three decades which has obliterated the original wall and ceiling murals. The painting of Mount Sinai was added by the church in the lunette of the reredos. The most significant interior change has been the remodeling of the rooms at the Brunswick Street entrance. Offices have been built in what were originally the men's and ladies lounges and coat room designed to serve Brunswick Hall.
The kitchen remains but it is smaller and has modern day appliances. All the original rooms in the basement are intact except for the banquet room which has been divided into classrooms with plywood partitions. The church dies not use these rooms very often because Sunday school is held in the upper auditorium before the main services. Tuesday and Friday evening Bible study is held in the former bet ha midrash. The only dramatic change on the exterior is the removal of the large stained glass window on the Blue Hill Avenue façade. The frame of the original window remains, but half of it has been carefully boarded over and painted red and the glass has been made much smaller. It the church desired and funds were available, the window could be reproduced from the design of the original windows that are still intact in Brunswick Hall. (end) Congregation Adath Jeshurun Name of Property 8.
Statement of Significance