BlockBefore
Decorative drawing: a nineteenth-century public building. Not a photograph of this place.

Nomination for Kahiki, The

The case file that argued this property on to the National Register: 9,065 words across 93 pages, filed in 1997. Read by 4 independent recognisers, of which at least 3 had to agree before a line was published.

Source document Held by the National Archives in Record Group 79 as reference 97001461, where it exists only as a scan with no text layer. The words below were read off that scan by 4 independent recognisers at two resolutions. Only lines that at least 3 of them returned identically appear below; where they disagreed, the line is withheld rather than guessed, so some of the form's furniture is missing. Spelling is never corrected, so a stray character that all the readers agreed on is the recogniser's and the typewriter's.. Nothing is summarised, corrected or written by this site. See the catalogue record, or return to the property.

From the form

The catalogue entry the section above was filed under.

OMB No 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name _ street & number 3583 E Broad St N/A not for publication city or town 3. State/Federal Agency Certification ] request for determination of eligibility meets the documentation standards for registering properties in the National Register o Signature of certifying official/Title Ohio Historic Preservation Office -: OH SHPO State of Federal agency and bureau 4. National Park Service Certification Signature of the Keeper Date of Action L See continuation sheet. - determined eligibie for the - removed from the National - other.

(explain:) Columbus Date state National Register 10-15-97 Registration Form Ohio 2. Location NA vicinity The Kahiki NPS Form 10-900 by entering the information requested. If an item does not apply to the property being documented, enter "N/A Tor "not applicable." For functions, other names/site number- s the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nominatior Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property E meets does not meet the National Register criteria. I recommend that this property be considered significant In my opinion, the property meets does not meet the National Register criteria.

(C See continuation sheet for additional I hereby certify that the property is: - determined not eligible for the architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional comments.) Register. entered in the National Register. The Kahiki Supper Club,Inc OCT 2 4 1997 Franklin, OH 5. Classification Ownership of Property Number of Resources within Property (Check as many boxes as apply (Do not include previously listed resources in the count. K private - public-local L public-State U site - public-Federal - structure L object _ Total Name of related multiple property listing Number of contributing resources previously listed in the National Register 6. Function or Use Current Functions Enter categories from instruction Commerce/Trade: Restaurant 7.

Description Architectural Classification foundation Concrete Block walls Rood None Noncontributing Materials Other building(s) Narrative Description Asphalt shingle Name of Property County and State Historic Functions other _ Coral stone (Describe the historic and current condition of the property on one or more continuation sheets.) Category of Property (Check only one box) (Morgan, p. 37) FIGURE 2 FIGURE 3 (Loffler, coverpage) FIGURE 70. - a, b, sketches by Surgeon Ellis of some Hawaii houses. FIGURE 4 (Buck, P. 101) FIGURE 5 (Hibbard, p.

143) EVALUATION/RETURN SHEET NOMINATOR: STATE N PDIL: N PROGRAM UNAPPROVED: N COMMENT WAIVER: N ABSTRACT/SUMMARY COMMENTS : TELEPHONE 12/08/97 PROPERTY REJECT MULTIPLE 11/20/97 10/24/97 REVIEWER DATE PERIOD: Kahiki, The OTHER: DATE RECEIVED: NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES REASONS FOR REVIEW: UNITED STATES DEPARTMENT OF THE INTERIOR DOCUMENTATION see attached comments Y/N see attached SLR Y/N DATE OF WEEKLY LIST: NAME : DATE OF 45TH DAY: RETURN ACCEPT United States Department of the Interior National Park Service Franklin County, Ohio NARRATIVE DESCRIPTION The Kahiki is a large A-frame building located on a busy street in a suburban area east of downtown Columbus.

It is situated on a corner lot with retail and fast food businesses on either The Kahiki is visible from several blocks away and is a dominant presence along the busy down on both sides in a gently curved gable-shape, the roof is generally referred to as resembling white and black geometric pattern. Abstract fish designs are perched atop the ridgeline, while columns which are carved and painted with tiki figures. A large dormer is located near the roof unadorned. The triangular-shaped front facade is decorated with colorful vertical panels of paintings. The bright colors of the paintings are juxtaposed against the cool white of the coral The Kahiki grounds are considered a contributing site working in tandem with the main building. (refer to site plan, p. 6) It enhances the dramatic architecture of the building and helps to invoke the exotic atmosphere created by the restaurant.

The parking areas of the Kahiki are heavily landscaped which softens the effect of the open parking space around the building. Much of the vegetation is concentrated along Broad Street offering a buffer between the traffic and the building, although the building is clearly visible from the road. (photos 1, 4, 5, 7) Two-foot high patio lights line the length of the driveway and illuminate the passage at night. Standing at the northwest corner of the lot is the original sign, which matches the architectural character of the print. A large tiki head sculpture resides in the grassy lawn facing Broad Street. A smaller corridor. The most striking feature of the structure is the immense roof. (photos 2, 3) Swooping (photo 8) directional signs are present along the driveway. All of the signs have similar "oriental" type is a similar red as on the roof.

At night the red letters glow with inviting warmth. (photos 1, 7, Continuation Sheet The Kahiki National Register of Historic Places side of it and across the street. (photos 1, 4) A driveway connects a small parking lot on the a ship or war canoe.The roof is covered with individually cut asphalt shingles arranged in a red, west side of the building to a much larger parking lot on the east side of the building. "a pelican sits at the tip of this imaginary boat, symbolizing plentiful food and good luck."(The building.The sign posts resemble large bamboo shoots while the lettering spelling out"kahiki" World of Kahiki, p.1) (photo 9)The roof beams are supported on the long sides by short sculpture nestled among the trees near the front of the building has red glowing eyes at night. line on the western facade. (photo 2)The rear facade provides entrance to the kitchen and is stone below it.

(photos 12, 13) NPS Form 10-900-a OMB Approval No. 1024-0018 Page 1 (8-86) driveway entrance and a smaller sign near it advertises a daily lunch buffet. (photo 3) Other 44)Two other signs are present along Broad Street. A vertically oriented sign announces the Section number 7 NPS Form 10-900-a CMB Approval No. 1024-0018 United States Department of the Interior National Park Service Continuation Sheet Franklin County, Ohio building houses the food preparation area for the wholesale distribution segment of the business. overall site. It is considerably smaller in scale than the main building and is painted with the of the heads.

Immediately past the heads is a short footbridge with gold handrails that spans a vestibule serves as a transitional space that instantly makes the guest forget that they just came An interior door in the same shape as the exterior entry door lies at the end of the approximately between the actual door and the surrounds. Both the interior and exterior doors feature either same as the Easter Island heads. Water bubbles from the top of its head to the inside and then A fountain rests between the gift shop and entrance to the Outrigger Bar. To the left of the bar entry is a hexagon-shaped doorway with the repeated gold color of the two previous doors. This doorway leads into the dining area and is ona direct axis with the vestibule and exterior doors.

Another fountain is located to the left of the door and extends beyond the grass hut wall into National Register of Historic Places is largely obscured from the street by the landscaping. (photo 8) (photo 42) A concrete block building with a mansard type roof is at the back of the lot, situated from a typical busy suburban shopping area. (refer to floorplan sketch for interior description, Kahiki itself. It houses electrical equipment and is being counted as a contributing building. construction and is not of the same detail as the main building, it does not detract from the the restaurant. A display area separates the fountain and the doorway leading to the restrooms, It postdates the period of significance and, therefore, is non-contributing. Although it is of later painted or sculpted tiki figures on the handles.

Once through the vestibule doors the space opens at the southeast corner of the Kahiki. (photo 43) The two buildings are not connected. This spills out its mouth into a circular basin.Periodically the fountain is engulfed in fog further hollow tiki mask fountain. (photos 15, 16) Its color and texture (resembling lava rock) is the six foot long vestibule. The wooden door surrounds are gold as well with decorative bamboo in up into a circular foyer that is a representation of a grass hut. In the center of the foyer is a large same red color along with having the same fish design on the rooftop as the Kahiki.Its presence A small building at the end of the main driveway entrance is designed in the same manner as the Water drips down the concrete cave-like walls into an interior pool. (photo 14)The quiet Two replicas of Easter Island carved heads flank the walkway into the entrance.

(photos 10, 11) The black heads are 20 feet high and constructed of concrete.At night fire spews from the top doors. (photo 12) adding to its intriguing presence.To the right of the door is an office, coat room and gift shop. The first interior space just inside the entry doors is a small dark vestibule lit by blacklight. The Kahiki Page 2 narrow moat in front of the building. The bridge extends through the hexagon-shaped front (8-86) Section number - 7- NPS Form 10-900-a OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Franklin County, Chio Sunday Dispatch, p. 1) A small outrigger canoe hangs from the ceiling of the hut directly over ceiling is supported by bamboo beams with smaller bamboo cross supports and covered with thatch. (photo 35) of a meeting house with a bird sculpture above the door.

(photos 23, 24) An identical, although family sized tables. The huts are partitioned so that each table setting seems private. Booth light into the forest. (photo 2) No space within the restaurant is left unadorned. Sculptures, paintings, artifacts, hanging lights, shells, bamboo, woven grass, and nautical items are a sampling of the decorative pieces that give the Kahiki its incomparable ambience. (photos 30-35) Even items as mundane as ashtrays were a tropical rain forest. (photo 29) Live birds are in the forest and a thunderstorm complete with village. oval one, contain varying table arrangements. Smaller intimate tables are intermixed with larger (8-86) National Register of Historic Places dining area seems immense, due to the height of the ceiling (112 feet above the floor), and the design for the dining area is that of a traditional village of grass huts.

On the wall opposite "a shield-like affair placed at the entrance of island homes to ward off evil spirits." (Columbus smaller, hut is across the "street." (photos 19, 21) All of the huts, with the exception of the small material covers the vestibule bridge. The wall is decorated with painted tortoise shells and talles, a central open seating area at the opposite end of the room from the doorway. The concept of trees lining the edge of the huts. This central space is meant to represent a street through the fireplace in its mouth. (photos 25, 26, 27) The fireplace towers over a central dining area in the The dining space of the Kahiki is so complex with ornament that it almost defies description. seating lines the exterior walls. The east wall features a row of built-in aquariums containing fish phones and banquet room. The floor is beige tiles in the shape of stones.

The same floor the fountain. Ten hanging lights of differing designs encircle the canoe. The conical shaped open space between two dining huts. The space is further enhanced by artificial 40 feet high palm background and dim lighting. The enormous roof beams forming the A-frame are exposed. The to entertain diners. (photo 28)The west wall features a row of windows that offer a view into replicating actual designs and artifacts.The atmosphere is enhanced with island music in the Continuation Sheet lightning flashes every 20-30 minutes.The skylights present on the west facade allow natural It is comprised of four dining huts of various sizes, rows of booths along the exterior walls, and The first dining hut is irregular in shape and to the left of the entry. (photo 22)Next to it is a made to complement the decor.

(photo 33)Most of the decoration was made in the 1950s The Kahiki the foyer doorway is an 80 foot high tiki goddess with red glowing eyes and a functioning narrow oval shaped hut. (photo 23) Behind the oval hut is a large rectangular hut in the manner OMB Approval No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Franklin County, Ohio intimate at the same time, due to the cozy lighting and human scale of the huts. The Polynesian theme is carried throughout the building into the secondary spaces. The shelves in the middle. Two large masks on the top shelf and nearly 40 hanging lights illuminate The restrooms are generally nautical in theme, although water pours out of tiki heads into giant 37) The basement level contains a banquet room for public rental (photo 40), restrooms and employee service areas.

While the basement space is not as elaborate as the restaurant, the Polynesian motif is still present with tiki figures, black lava rocks and bamboo ornamentation. (photo 39) The kitchen and access to it are located behind the fireplace. The kitchen only comprises about upstairs was converted to offices and a central reception space. (photo 41) A small window looks out from the office area onto the dining area below. resided in the front of the dining village was removed in c. 1979 and replaced by a fountain. The Maui Bar that was once left of the piano bar was converted to dining space at that time, as well. macaws decorate the Outrigger Bar. Three horizontal windows and two overhead doors provide (8-86) The Kahiki enjoys an exceptionally high degree of integrity. The original piano bar that once Outrigger Bar is inside an oval hut.

(photos 17, 18)The bar itself is roughly oval shaped with quality through its near pristine original appearance. The Kahiki views into the dining area from the bar. clam shell sinks.(photo 38)Public phone booths are concealed behind bamboo screens.(photo basement kitchen. Also hidden behind the immense fireplace stack is a staircase leading to These changes are extremely minor within the context of the overall design. They do not detract from the atmosphere that has enchanted diners for 36 years. The Kahiki maintains a timeless NPS Form 10-900-a the bar. One fountain, several tiki figures, two large paintings, and two bird cages containing management offices.An upstairs bar was in existence until the late1970s when all of the Page 4 Section number 7 NPS Form 10-900-a United States Department of the Interior National Park Service Section number - Franklin County, Ohio A.

Easter Island Heads, Moat, and Bridge B. "Cave" Vestibule C. Foyer D. Office and Coat Room E. Gift Shop F. Outrigger Bar G. Rain Forest Booths H. Village Street I. Fireplace J. Aquarium Booths K. Dining Huts M. Restrooms, Phone Booths, and Basement Stairs Page Continuation Sheet National Register of Historic Places Dining Huts and Fountain The Kahiki (Taken from Tabor) L.Former Piano Bar G Maui Bar=Now Additional OMB Approval No 1024-0018 (8-86) Name of Property County and State 8. Statement of Significance

Statement of significance

Applicable National Register Criteria Areas of Significance (Mark "x" in one or more boxes for the criteria qualifying the property (Enter categories from instructions XD A Property is associated with events that have made a significant contribution to the broad patterns of L B Property is associated with the lives of persons significant in our past. XX C Property embodies the distinctive characteristics represents the work of a master, or possesses high artistic values, or represents a significant and Period of Significance distinguishable entity whose components lack information important in prehistory or history. Criteria Considerations (Mark "x" in all the boxes that apply.) Significant Person - B removed from its original location. (Complete if Criterion Bis marked above) - C a birthplace or grave. Cultural Affiliation - D a cemetery.

- E a reconstructed building, object, or structure. - F a commemorative property. XX G less than 50 years of age or achieved significance within the past 50 years. Ralph Sounik - Architect Ned Eller - Architect Coburn Morgan - Interior Designer Narrative Statement of Significance (Explain the significance of the property on one or more continuation sheets.) 9.

The rest of the file

Bibliography, boundary description, and the people who prepared and reviewed the nomination.

Major Bibliographical References (Cite the books, articles, and other sources used in preparing this form on one or more continuation sheets.) Primary location of additional data: - preliminary determination of individual listing (36 * State Historic Preservation Office CFR 67) has been requested - Other State agency - previously listed in the National Register - - O Federal agency - previously determined eligible by the National - Local government U University - designated a National Historic Landmark - Other -recorded by Historic American Buildings Survey Name of repository: Record # 1961 Bibilography Register Entertainment religious purposes. Architecture Property is: Architect/Builder our history. individual distinction.

Previous documentation on file (NPS): N/A Significant Dates D Property has yielded, or is likely to yield, recorded by Historic American Engineering A owned by a religious institution or used for of a type, period, or method of construction or for National Register listing.) The Kahiki Franklin Co.,OH Franklin, Name of Property County and State 10. Geographical Data Acreage of Property _ 1.66 UTM References - See continuation sheet Verbal Boundary Description (Describe the boundaries of the property on a continuation sheet.) Boundary Justification 11. Form Prepared By date Summer 1997 - telephone 614-297-2470 city or town - state _ zip code _43211 Additional Documentation Submit the following items with the completed form: Continuation Sheets A USGS map (7.5 or 15 minute series) indicating the property's location.

A Sketch map for historic districts and properties having large acreage or numerous resources. Representative black and white photographs of the property. (Check with the SHPO or FPO for any additional items) Property Owner (Complete this item at the request of SHPO or FPO.) The Kahiki Supper Cluh, Inc street & number3583 E Broad St telephone 614-237-5425 Paperwork Reduction Act Statement: This information is being collected for applications to the National Register of Historic Places to nominate a benefit in accordance with the National Historic Preservation Act, as amended (16 U.S.C. 470 et seg.). Estimated Burden Statement: Public reporting burden for this form is estimated to average 18.1 hours per response including time for reviewing instructions, gathering and maintaining data, and completing and reviewing the form.

Direct comments regarding this burden estimate or any aspect of this form to theChief, Administrative Services Division,National Park Service, P.O. Box 37127, Washington, DC 20013-7127; and the Office of Management and Budget, Paperwork Reductions Projects (1024-0018), Washington, DC 20503. Zone Maps name Easting Photographs Columbus Ohio The Kahiki Additional items Northing name/title_Nathalie L.Wright, National Register Coordinator (Place additional UTMreferences ona continuation sheet.) organization Ohio Historic Preservation Office (Explain why the boundaries were selected on a continuation sheet.) street & number _567 E Hudson St OM8 Approval No. 1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio Statement of Significance criteria A and C, consideration G at the state level of significance.

Exceptional importance can Criterion A It is part of a broader pattern of national restaurant and entertainment trends from that era. The Polynesian restaurant motif was the beginning of today's theme restaurant fad. In order to understand the popularity of Polynesian restaurants in the 1950s and 60s a brief history of Hawaii needs to be examined. While Polynesia includes a broader geographical area in the Pacific Ocean than just Hawaii, the United State's relationship and fascination with the Polynesia is generally defined asa large triangular area with Hawail as the northern most point. New Zealand is the southwestern boundary point and Easter Island is the eastern point. Included several thousand miles of water separated the Polynesian islands, inhabitants braved the ocean in canoes to settle on the various islands.

discovery began a tradition of British exploration and trading in the Islands. The Americans soon followed suit with the first American vessel landing there in the winter of 1789-90. By the 1790s Hawaii was firmly established as a wintering stop in the China-Northwest American fur trade route. Its central location in the Pacific, the pleasant winter weather and the eagerness of the native chiefs to trade for Western goods made the Hawaiian Islands a perfect winter port. represents a significant period in the development of the theme restaurant industry. The English navigator, Captain Cook, is credited with the European discovery of the Hawaiian National Register of Historic Places imposing structure. As Ohio's only Polynesian restaurant and a significant example of the once be applied to the Kahiki based on the rarity and fragility of the property type.

Recognized as the The Kahiki Continuation Sheet Built in 1960-61 and opening its doors for business in February, 1961, the Kahiki is a large and popular national restaurant trend and unique building type, the Kahiki is being nominated under within this large area are the Samoan Islands, Tahiti, and the Society Islands. (Fig. 1) While Hawaiian Islands is integral to the proliferation of the Polynesian restaurant boom. Islands in 1778. Naming them the Sandwich Islands for his friend, Lord of Sandwich, Cook's largest and best preserved Polynesian restaurant in Ohio(and perhaps the country),the Kahiki NPS Form 10-900-a Section number - Page - Under Criterion A the Kahiki is an important representative of 1950s and early 60s entertainment. (8-86) OMB Approval No.

1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio During its pre-contact history and throughout the early European trading years the islands were independent of each other with their own ruling kings and chiefs. A warrior from the island of early as 1816 a Hawaiian flag was adopted that combined the red and white stripes of America's and the Union Jack of Great Britain'srespectiveflags symbolizing theimportance of both countries to Hawaii's existence as a fledgling new nation. The United States-Hawaiian relationship continued to evolve as New England supplied the first missionaries to arrive in Hawaii in 1820. American trade increased with the demand for a series of treaties between Hawaii and England, France, and the United States. Despite the Hawaii. In 1853 the highest number of foreign residents in Hawaii were American.

(Kuykendall, Oregon increased Hawaii's export trade to America, which further strengthened its ties to the resulting in the overthrow of Queen Liliuokalani, the last monarch to rule the islands. The new Provisional Government succeeded in obtaining annexation to the U.S. in 1898 and territorial status two years later. As with earlier territories on the mainland that status was meant to serve Hawaii since the first trading vessel landed there in 1789, the relationship was cemented with the were set aside for military use. Perhaps the most defining moment in the relationship between the United States and its island country. of the country to most people. Hawaiian delegates pursued statehood in earnest following the Continuation Sheet as a transitional step into statehood.

Although Americans had had an increasing presence in efforts toward independence, support for annexation to the States increased among residents in Great Britain rivalry, Hawaii adopted its first constitution in 1840.The 1840s and 50s brought The Kahiki p. 84)The recent gold rush in California and the subsequent statehood status of California and end of the war.After a scare of communism on the islands was put to rest and a series of 1893 brought a revolution, largely supported by U.S. residents in Hawaii, to the island nation territory was the Japanese attack on Pearl Harbor.The December 7, 1941 air strike prompted interests continued simultaneously with the struggle to maintain independence as a nation.As unification and his rulership of them.

Under his rule, and his successors, trading with foreign National Register of Historic Places sandalwood and the emerging industry of whaling in the North Pacific also in the 1820s. territorial designation.At this time Hawaii began to gain military significance as the western In an effort to maintain independence from foreign intervention, especially the United States- the entry of the United States into World War II and made the Hawaiian Islands a tangible part NPS Form 10-900-a Section number _ 8 Page Hawaii changed this destiny forever by uniting the eight islands known today as the state of most point of defense for the country. Large portions of land, primarily on the island of Oahu, (8-86) Hawaii. Beginning in 1796 Kamehameha waged a ten year campaign that resulted in the islands* NPS Form 10-900-a OMB Approval No.

1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio 1950s, it was finally made the 50th state in 1959. Polynesian restaurants were symbolic of a national fascination with Hawaii and its Polynesian contributed to this island attraction. The first obvious contributing factor was the geography and climate of the islands. The Hawaiian Islands were not only warm as with much of the southern United States, but they were remote and exotic as well. It was a paradise of lush green vegetation and brilliant flowers, mountains, beaches with warm ocean water, rainbows and gentle ocean breezes.

Though the islands were a far away land not connected to the continental United States, they became much more accessible on May 1, 1947 when the first tourist-catered flight to Honolulu was completed by The veterans of World War II who had done duty in Hawaii and the South Pacific contributed greatly to the interest in Polynesian culture. The returning veterans brought home a taste for new foods and perhaps a sense of nostalgia for the beautiful islands where they had been stationed. "By the end of World War II many Americans had developed a genuine interest in the South Seas, and many more were looking for imaginative food as a relief from wartime austerity." with their families the exotic island atmosphere that they had experienced The movies of the 1950s and 60s can be viewed as a contributor to the fascination with Polynesian culture as well.

Going to the movies had been a popular activity in the pre-war movies were a popular genre for Hollywood producers. Numerous films featuring World War II themes were made in the late 1940s and 1950s. Many of these films took place in the South veterans. The 1950s also brought an equal number of war films about the Korean conflict. A distinct difference has been noted in the tone between the World War II and Korean War films. United States involvement in the Korean War was complicated in comparison to the simplified black and white issues of World War II. In discussing the World War II film, From Here to Eternity, author David Brode concludes that the film "suggested the growing strain of nostalgia America was just beginning to experience for the war years." (Brode, p. 99) Other 1950s war films are noted as projecting this sense of nostalgia that certainly was not lost on veterans.

Other types of movies popularized the Hawaiian setting. One of Elvis Presley's best known movies, Blue Hawaii, was released in 1961. Presley starred in a second Hawaiian movie, Page (Stern, American Gourmet, p. 54) The emerging Polynesian restaurants were a way of sharing complicated Congressional debates on the issue of Hawaii's potential statehood throughout the heritage that originated in the late 1800s and culminated in the 1950s and 60s.Several factors Continuation Sheet Pacific, which served to keep the memory of the tropical paradise fresh in the minds of war The Kahiki United Airlines. National Register of Historic Places period and continued to be afterwards despite the increased competition from television.War Section number NPS Form 10-900-a OMB Approval No.

1024-0018 United States Department of the Interior National Park Service Continuation Sheet Section number _8 Page - Franklin County, Ohio Paradise-Hawaiian Style, released in 1966. The successful musical South Pacific was made in With the Korean Conflict, the Cold War, and the beginnings of the civil rights movement the the most idyllic part of the United States as a source of relaxation and escape. Modern flight had facilitated the accessibility of visiting Hawaii, although the expense of it was likely beyond the fever. Thor Heyerdahl's Kon Tiki had been a bestseller in 1951, South Pacific was everyone's favorite movie in 1958, James Michener's best-selling Hawaii also appeared in the late Fifties- World War II and had served in the South Pacific.

Luau" recipe pamphlet by Stitzel-Weller distillery of Kentucky (Stern, Encyclopedia of Bad middle-class American suburban home with a patio had become the site of unsophisticated luaus." coast fad had spread throughout the country. Songs with Hawaiian themes such as the Shadows' reestablish their image from food for the male working class to a place for respectable families to dine out. With the efforts of the diner proprietors and other new establishments, the restaurant business began a marketing campaign aimed at the family. Dining out had become a treat for 1958. 1950s were becoming increasingly more complex. "With such serious concerns, people needed to relax-and they had more leisure time to do it in, as well as more money to spend, than ever Eye", aired from 1959-1963.

Luaus were promoted in cookbooks and magazines as diverse as as did America's biggest fad, the hula hoop." (Lovegren, p. 277) Michener was a veteran of National Register of Historic Places means of the average American citizen.They had to experience the islands vicariously through interest in Polynesia in the fifties and sixties gave rise to the popular Polynesian restaurant fad. movies and other forms of entertainment, while those who had been able to make the journey The years following WWII saw an increase in the restaurant business as a whole.American Taste, p. 251).

Luaus were the ultimate in party entertaining and "by the late fifties nearly every The Kahiki "Kon Tiki" and the Beach Boys "Luau" contributed to the overall surfing/beach culture.The Polynesian influence was seen in other places as well.The television detective series,"Hawaiian Beach Boys used the Hawaiian Aloha shirt as part of their image.Naturally, the heightened sought to relive the vacation memories at home on the mainland. By 1959, the year of Hawaii's House Beautiful magazine in 1950 to Sunset magazine in 1959 and the 1961 "Let's Have a Patio families began to eat outside of their homes in increasing numbers.Diner owners worked to before." (Brode, p.

17) It is no surprise that a society living in fear of the bomb would look to had reached a fervor of popularity in California by mid-century.It was not long until the west statehood, Polynesia was an everyday part of the popular culture and "all of America had the (Stern, American Gourmet, p. 56) The late fifties and early sixties surfing sub-culture celebrated beach life in California, but had its origins in Hawaii. Surfing is an ancient Hawaiian sport that (8-86) NPS Form 10-900-a OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Section number - Franklin County, Ohio the whole family and a source of entertainment, as well as quality time away from the house. evidencedby such novelties as car hops and supper clubs.

Supper clubs in large urban cities had existed since the 1920s, but following the end of Prohibition in the 1930s they enjoyed even greater popularity. They offered diners both food and entertainment. Live bands provided music for dancing and some establishments featured floor shows. An over the top glitzy atmosphere was also a large part of the overall supper club package. Often the atmosphere was created by using exotic or foreign themes. atmosphere of enchantment was created. The food was exotic in comparison to other restaurants. a live band or a floor show featuring hula and sword dancers.In essence Polynesian restaurants were more than eating establishments, they were places of entertainment where customers could restaurants appealed to the whole family by offering special non-alcoholic versions of their The roots of Polynesian restaurants can be traced to the 1920s.

The Congo Room in New York City is noted for featuring hula dancers during that time. Magazines and cookbooks highlighted Hawaiian food both authentic and pseudo, much in the same way that they would promote luaus 30 years later. Don the Beachcombers in Hollywood is credited as being the first Polynesian themed restaurant, established in the 1930s. The restaurant featured Hawaiian food on the menu, potent alcoholic drinks (the Zombie was created there) and tropical decorations. Victor Bergeron, later known as Trader Vic, inspired by his 1937 visit to Don the Beachcombers founded the concept of Polynesian restaurants as they are known today. Following his visit he tore down the old deer horns and moose heads and covered the walls with green, grassy fabric drink and food ideas, as well as additional artifacts for Trader Vic's.

In the end he settled on Chinese food with pineapple, coconut and bananas added to give a "Polynesian" flare. His Page National Register of Historic Places appeal to an adult crowd, often an elite or socially stratified one. However, many Polynesian Continuation Sheet (8-86) The Kahiki powerful drinks for children and providing entertainment more suitable for family viewing. including invention of the Mai Tai. He traveled to Cuba, Florida, and Polynesia looking for new Restaurant owners quickly sought to capitalize on the entertainment value of dining out as and bamboo." (Stern, The Encyclopedia of Bad Taste, p.

250) He created an exuberant South transport the dining guests away from reality to a distant tropical island free of worries.An It arrived on fire or billowing with smoke, created by dry ice.Entertainment was provided by reorganized his Oakland, California bar, Hinky Dink's, reopening it as Trader Vic's in 1938."He spend a few leisurely hours.Supper clubs, especially the variety found in large cities, tended to Seas atmosphere and expanded upon Don the Beachcomber's mind numbing drink menu, Polynesian restaurants easily fit into the supper club category of restaurants. They sought to NPS Form 10-900-a United States Department of the Interior National Park Service National Register of Historic Places Franklin County, Ohio food that would be considered exotic, but not too foreign. others, creating the Trader Vic's chain.

By the 1950s Trader Vic's were located around the the score around the country." (Lovegren, p. 279) A second, smaller chain of Polynesian restaurants was founded by Steven Crane Associates in the late 1950s. Crane purchased the name Kon Tiki from author Thor Heyerdahl and used it for his restaurants. He also made use of Trader Vic's strategy of linking the restaurants with hotels, forming a partnership with the Sheraton chain.

He had establishments in Montreal, Cleveland tastes shifted by the late sixties and Polynesian restaurants began to be viewed as kitsch and not General Motors of Polynesian restaurants, has six locations left in the United States, down from difference between Trader Vic's chain and independently owned Polynesian restaurants was that Trader Vic's tended to be inside larger hotel buildings, whereas independent ones typically were restaurant in the world and the first one of its type in Ohio."(Columbus Dispatch, 8/14/60, p. business. 26A) independent restauranteurs opened Polynesian establishments. "Polynesian restaurants-which Bergeron was inspired by Don the Beachcombers, others were inspired by him. Many world. The restaurants were typically contained within Hilton and Weston hotels.

Just as Victor The Kahiki falls into the broad context of the Polynesian supper club trend established by Trader and was a popular destination for reminiscing WWII veterans in the 1950s. Sapp and Henry also because it directly rivaled Trader Vic's restaurant in that city. Continuation Sheet entertainment offerings of the city. During the construction phase Bill Sapp, one of the Kahiki the sophisticated dining experience that they once were associated with.Many have closed As with most trends, Polynesian restaurants began to lose their glamour and popularity. Dining throughout the country in places like Philadelphia, Atlanta, New York, and California. "Now, freestanding individual buildings. The Kahiki was built during the height of the Polynesian rage. opinion was that Americans would not like real Polynesian food, therefore, he compromised with (now demolished), and Portland, Oregon.

The Portland location received the most recognition owned an upscale restaurant, The Top Steak House, during that time and in the same vicinity. usually meant restaurants that served the same sort of food and drink as Trader Vic's-opened by it seems, they are dying out, disappearing like thatched huts in a hurricane...Trader Vic's the owned a bar, The Grass Shack, near the Kahiki location. The small bar had a Polynesian theme a peak of nineteen in the early *70s." (Richman, p.

114) Even the ones located in Hawaii itself, owners, was quoted in the local paper as saying that "the Kahiki will be the largest Polynesian where one would expect a heavy tourist trade to keep the concept alive, have gone out of It debuted as one of Columbus'premier supper clubs smoothly fitting into the dining and Trader Vic's Polynesian concept met with great success.He followed his original restaurant with The Kahiki OMB Approval No. 1024-0018 Section number . Page (8-86) Vic.He set the standard by which later Polynesian restaurants would be built.A major The Kahiki was the bold dream of Bill Sapp and Lee Henry.Sapp and Henry had previously OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Continuation Sheet Franklin County, Ohio After the Grass Shack was destroyed by fire, they decided to continue with the Polynesian theme.

simply replacing the lost bar. Sapp and Henry created Columbus' newest exotic supper club by painstakingly attending to every They, along with the architects, also visited numerous Polynesian restaurants around the United Sounik and Ned Eller being the principal architects. Sapp and Henry's dedication to the grand scale and elaborate theme of the Kahiki was rewarded this strange new cultural environment." (Kahiki newsletter) Throughout the sixties the Kahiki was featured in several national food service publications, such as American Restaurant Magazine Most Elaborate Polynesian Supper Club." (Life Magazine, page unknown) In 1978 Sapp and Henry sold the Kahiki to Mitch Boich. He brought Michael Tsao, the current president of the restaurant, into partnership that year. Eventually, in 1993 it was decided to incorporate the business.

Shares in the Kahiki are now traded and it is run by a board of directors and the president of the corporation. In more recent years the business has expanded to include the manufacture of prepared food items with the Kahiki name and logo for distribution to state institutions and grocery stores. In order to meet the increasing demand for this segment of the business a food processing plant was constructed at the rear of the Kahiki site in 1995. Locally, it is important to note that the Kahiki is the last of the supper club restaurants left from including the world headquarters for several chains, both fast food and theme restaurants. The Kahiki is an important local representation of an era in entertainment and dining that has largely popularity that people would wait for hours in the cold just for the opportunity to venture into National Register of Historic Places and Institutions.

An advertisement in a 1967 Life Magazine issue proclaimed it "The World's (Tabor, p. 1) Design Associates of Columbus was chosen as the architectural firm with Ralph currently undergoing conversion into a sports bar. Columbus has a significant restaurant history, Groundbreaking for the site was in July 1960 with the grand opening occurring in February 1961. disappeared from the city. States."Throughout their travels, Sapp and Henry failed to find one which wasn't successful." Coburn Morgan, throughout the South Pacific in search of ideas and artifacts for the restaurant. The Kahiki The word kahiki means "sail to Tahiti" and that is what the restaurant accomplishes.It is an NPS Form 10-900-a detail in the design and decoration of the building. Beginning in 1957 they began researching the possibilities for their new endeavor.

They travelled extensively with their interior designer, immediately by the residents of Columbus. "The doors opened in February, but gained such Perhaps owing to their experience with The Top, they opted to build a supper club rather than (8-86) that era. The Jai Lai, Columbus' only other remaining supper club, was sold this year and is OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Continuation Sheet Franklin County, Ohio The Kahiki is significant as an excellent and remarkably intact example of the Polynesian restaurant building type. The Kahiki is a conglomeration of different architectural traditions from architectural feature of the Kahiki is the dining huts. They are based on the modest grass huts A certain level of decorative elements had to be present in order to carry the diner's imagination always used for creating atmosphere.

The Kahiki designers took these pre-requisites seriously, employing an abundance of the decorative items. Combining them with other design features the in Columbus, p. 109) perhaps more authentic in copying traditional Polynesian architectural forms. The Mai-Kai in Ft. Lauderdale and the Tahitian Lanai in Waikiki, Hawaii, now demolished, (fig. 5) are two of the restaurant in the country that is similar in form to the Kahiki. The rest are additions to traditional buildings, even the soaring roofline of the Tahitian Lanai was an addition to the Waikikian Hotel. (8-86) National Register of Historic Places for an entertaining evening as well as good food, the Kahiki is one of the true showplaces of of Hawaiian villages (fig. 4). The interior ornamentation is derived from the artifacts of the vision of the Kahiki builders.

Morgan, especially, had a strong voice in the creation of the imaginary journey to the islands of Polynesia. In 36 years the aim to symbolically transport and and many of the drinks and food dishes still arrive aflame or billowing with smoke. varying Polynesian island cultures, as well as, the neighboring island cultures of Micronesia and The architects and the interior designer, Coburn Morgan, were masterful in carrying out the grand roars in the mouth of the dominating tiki goddess, thunderstorms cleanse the tropical rainforest, South Seas, including nautical items that reflect the ocean existence of the various islands. restaurant. He completed the interior designs, much of the exterior, designs for the artifacts and music on weekends and the gong still sounds when someone orders the mystery drink.

Fire still Melanesia.The form of the building is modelled after the young men's houses of the Yap In comparison to the Trader Vic's restaurants and other Polynesian establishments, the Kahiki is Central Ohio....If you haven't been to the Kahiki lately, you owe it to yourself." (Pigging Out more elaborate examples of the building type, like the Kahiki.Both Michael Tsao, Kahiki entertain guests has not changed.The piano bar was removed, but a live band plays Hawaiian president, and Ned Eller, Kahiki architect, cite the Mai-Kai as being the only other Polynesian Criterion C The Kahiki Islands(fig.2)and the men's ceremonial houses of New Guinea(fig.3).The other major NPS Form 10-900-a Kahiki truly does transport dining guests to a magical island paradise. "If you are in the mood to the South Seas.

Tiki statues, shells, glass fishing weights, fountains, and aquariums were Section number 8 Page 8 OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio fountains, as well as, recommeding to the owners Design Associates as the architectural firm. original Bob Evans and Casa Lupita. coordinated with Coburn Morgan again on the Sands Supper Club. The bulk of their The Kahiki meets Criterion Consideration G because it is a significant representation of a form evidence of a larger societal enchantment with Hawaiian culture (often a perceived culture) and a reflection of Cold War escapism.

Thirty to forty years have passed since the popularity of these restaurants were at their peak, thus allowing sufficient time to pass to examine their place in these seem to be the future of the food-service business in this country, Polynesian restaurants may prove to be almost as important to our national heritage as the first automobile assembly houses. commissions in the 1960s following the Kahiki project primarily included churches, schools, and Continuation Sheet line." (Richman, p. 114) The Design Associates firm was established in 1959 with Ralph Sounik and Ned Eller being two Supper Club, and the Wine Cellar. He designed another legendary Ohio supper club, Tangier, of the three partners.Incorporated in 1979 the firm today is known as S.E.M.

Inc.They National Register of Historic Places of entertainment and building type that was once popular at mid-century.It provides physical in Akron.His commissions also included hotels and national restaurant chains, such as the American culture."Polynesian palaces were America's first theme restaurants.In as-much as Morgan designed other notable themed restaurants in Columbus such as the Jai Lai, the Sands The Kahiki NPS Form 10-900-a Page (8-86) Section number 8 OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio Buck, Peter H., Arts and Crafts of Hawaii: Section II, Houses. Honolulu: Bishop Museum Press, Resort. Honolulu: Editions Ltd., 1986. Florentine. Palo Alto, CA: Pacific Books Publishers, 1975. American State. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1961. 1996. 1964. Loffler, Ernst, Papua New Guinea.

Victoria, Australia: Hutchinson, 1979. (8-86) Lovegren, Sylvia, Fashionable Food: Seven Decades of Food Fads. New York: Macmillan, 1995. Japikse, Carl, Pigging Out in Columbus: A Guide to the 111 Best Restaurants in Central Ohio. California Press, 1989. Kuykendall, Ralph S. and A. Grove Day, Hawaii: A History From Polynesian Kingdom to Brode, Douglas, The Films of the Fifties. Secaucus, N.J.: Citadel Press, 1976. Cross, Robin, 2000 Movies: The 1950s. New York: Arlington House, 1989. Judd, Walter F., Palaces and Forts of the Hawaiian Kingdom: From Thatch to American Post-World War II Consumer Culture,"The Journal of American History, Vol. 83:4, Bibliography Campbell, I.C., A History of the Pacific Islands. Berkely and Los Angeles: University of Hibbard, Don and David Franzen, The View from Diamond Head: Royal Residence to Urban The Kahiki Columbus: Enthea Press, 1993.

Continuation Sheet Blackburn, Mark, Hawaiiana: The Best of Hawaiian Design.Atglen, PA: Schiffer Publishing Ltd., March 1997, p. 1282-1308. Marshall, John, "Kahiki,"Columbus Monthly, January 1993, p. 84-86. National Register of Historic Places Mariani, John, America Eats Out.New York: William Morrow & Co.,1991. Section number Page NPS Form 10-900-a Hurley, Andrew, "From Hash House to Family Restaurant: The Transformation of the Diner and Page NPS Form 10-900-a OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio Conversation with Ned Eller, Kahiki architect, August 13, 1997. Conversation with Ralph Sounik, Kahiki architect, September 24, 1997. Conversation with Michael Tsao, Kahiki President, April 18, 1997 and July 9, 1997. , Columbus Dispatch, 9/2/60, p. 26A. Life Magazine, Advertisement, 12/1/67, page unknown.

, The World of Kahiki, Company Newsletter, 1995. 1990. 1988. Continuation Sheet National Register of Historic Places Morgan, William N., Prehistoric Architecture in Micronesia. Austin: University of Texas Press, Zmijewsky, Steven and Boris, Elvis: The films and career of Elvis Presley. Secaucus, N.J.: Stern, Jane and Michael, American Gourmet. New York: HarperCollins Publishers, 1991. Tabor, Gail, Kahiki: A Polynesian Adventure, Columbus Sunday Dispatch, 9/24/61. Stern, Jane and Michael, The Encyclopedia of Bad Taste. New York: HarperCollins Publishers, Stern, Jane and Michael, Sixties People. New York: Alfred A. Knopf, 1990. The Kahiki Citadel Press, 1976. Section number - 9 (8-86) Richman, Alan, "The Long Aloha", Gentlemen's Quarterly, March 1996, p. 112-118. Page .

United States Department of the Interior National Park Service Franklin County, Ohio Verbal Boundary Description The boundary chosen to include all property historically associated with the Kahiki site. National Register of Historic Places Continuation Sheet The Kahiki Boundary Justification The boundary of the Kahiki includes 1.66 acres.It is located in the Lincoln Park 2 subdivision of the City of Columbus;parcel numbers 089352,089651,and 088460;lot numbers 6,9-12. Section number10Page NPS Form 10-900-a OMB Approval No. 1024-0018 (8-86) Page . United States Department of the Interior National Park Service Continuation Sheet Franklin County, Ohio Photographers: Jen Copeland and Nathalie Wright August 7, 1997 Located at the Ohio Historic Preservation Office View of east facade from entrance driveway. View of the building from one block away to the east. Front and east facades.

Landscaping details from sidewalk along Broad Street. Front facade from across the street. Detail of footbridge and entrance doors. Detail of front facade ornamentation. View of "cave" vestibule. Fountain in center of the foyer. Date: Negatives: Tiki goddess fireplace. Front facade from driveway. Booths along aquarium (east) wall. Detail of fireplace, looking straight up. Oval dining hut with adjacent rectangular dining hut. View of original sign from in front of the footbridge. View into Outrigger Bar and the mystery drink gong. Photo # View along entrance driveway. The Kahiki View of Outrigger Bar hut. National Register of Historic Places Dining huts and "street" seating. Easter Island heads. The following information is the same for all photographs: Detail of "street" seating and fireplace. View of west facade and original sign from across the street. Close-up of west facade.

Close-up of foyer fountain. Detail of hut ornamentation. View of a dining hut from beside the Outrigger Bar. Detail of dining hut. Section number Photos Page - OMB Approval No. 1024-0018 Page (8-86) NPS Form 10-900-a OMB Approval No. 1024-0018 United States Department of the Interior National Park Service Franklin County, Ohio Basement banquet room. Processing building. Ashtray detail. Basement hallway. Artifact detail. National Register of Historic Places Bathroom sinks. Ladies room door and bamboo phone booth divider. Equipment building. Outrigger canoe, hanging light, and foyer ceiling. (8-86) Detail of hanging lights and bamboo ceiling supports. Ceiling detail. Continuation Sheet Second floor office area. The Kahiki Booths along rainforest (west) wall. Supplemental color photo.

Section number Photos Page - 2 : MARIANA : + ISLANDS GUAM L(BELAU) VANUATU E CALEDONIA O* - 30°S Map 1 The Pacific Ocean and its Islands (Campbel1, p. 8 & 9) FIGURE 1 Franklin County, Ohio TONGA GUINEA POLYNESIA NEW PHOENIX ZEALAND NAURU MICRONESIA TOKELAU PALAU AUSTRAL Pitcairn COOK The Kahiki MARQUESAS 30°N GILBERT 140W International Date Line Tropic of Cancer Tropic of Capricorn Easter Island 120 °W SOLOMON MELANESIA Tahiti MARSHALL HAWAII 160W AREA NAPOLEAN PROCESSING AVENUE PARKING SIDEWALK LOT LANDSCAPED THE KAHIKI FRANKLIN COUNTY TIKI BLAG EQUIP. - ORIGINAL BAMBOO FORMER RAIL ROAD THE BROAD THE KAHIKI FRANKLIN CO., OHIO FRANKLIN, CO., OHIO THE KAHIKI LUNCH Kahiki FRANKLIN CO., OHIO THE KAHIKI THE KAHIKI FRANKLIN Co. OHIO THE KAHIKI FRANKLIN CO. OHIO - THE KAHIKI FRANKLIN CO., OHIO Kabiki THE KAHIK!

FRANKLIN CO., OHIO THE KAHIKI FRANKLIN CO OHIO The Kahiki 3583 The Kakiki The Kahiki The Kahiki FrANKLIN CO, OHIO FRANKLIN CO , OH FrANKLIN CO , OHIO THE KANIK The kahiki THE KANIKi FRANKLIN CO, ON FRANKLIN COUNTY, OH THE THE KAHIRi FRANKLIN COUNTY, OHIO THE KAHIKi 260 THE KAHIKi FRANKLIN CO, OH FRANK LIN CO, OHIO THE KAHIKi FRANKLIN CO. ONIO THE KAHIKi The Kahik i THE KANIKi LADIES THE KAMIKi THE FRANLKIN CO, OHIO THE KAHIKI FRANKLIN CO, OHIO FrANKLIN COUNTy, OH THE Kahiki The Kahiki The KANrKi FRANKIN, CO, OHIO THE KAHIKI COLUMBUS SOUTHEAST COLUMBUS, OH SOUTHEAST COLUMBUS QUADRANGLE UNITED STATES 7.5 MINUTE SERIES TOPOGRAPHIC OHIO FRANKLIN CO. THE KAHIKI GEOLOGICAL SURVEY DEPARTMENT OF THE INTERIOR 17- 337290-442723 City of Columbus Mayor Gregory S. Lashutka George J. Arnold, Director Director's Office 99 N.

Front St Columbus, OH 43215-9030 August 29, 1997 Phone: (614) 645-8502 FAX: (614) 645-6295 Amos J. Loveday, Jr. 1982 Velma Avenue Phone: (614) 645-8172 Columbus, Ohio 43211-2497 FAX: (614) 645-7855 Dear Mr. Loveday: the Kahiki Supper Club, located at 3583 East Broad Street, to the National Register of FAX: (614) 645-1483 Historic Places. Following the presentation made by Nathalie L. Wright, National Register Historic Resources Commission and the Columbus Preservation Office staff recommend the approval of the nomination of 3583 East Broad Street, known as the Kahiki Supper Phone: (614) 645-7442 Club, to the National Registar of Historic Places 1250 Fairwood Ave Columbus, OH 43206-3372 TDD: (614) 645-3293 Randy F. Black 50 W. Gay St. Phone: (614) 645-7795 Stephen R. McClary, Planning Administrator Nathalie L.

Wright, National Register Coordinator Phone: (614) 645-6767 FAX: (614) 645-6787 The City of Columbus is an Equal Opportunity Employer Sincerely, Preservation Specialist Historic Resources Commissioners Relocation Division Economic Development Division Planning Division Neighborhood Development Division Social Services Division Land Management and Development Regulation Division All commissioners commend Ms.Wright for the thouroghness of the nomination.The TDD: (614) 645-6407 State Historic Preservation Officer commission voiced unanimous support for the nomination. Department of Trade and Development Iam writing on behalf of the Historic Resources Commission regarding the nomination of Coordinator, at the August 21, 1997, Historic Resources Commission meeting, the To islanders the word ""Kahiki" means ""Sail to Tahiti".

The Kahiki's exotic South Sea atmosphere beckons with timeless enchantment and tropical splendor. You'll find the Kahiki a wonderland for travelers of tiki fireplace or near the tropical rain forest. Adventure Polynesian all ages.Enjoy dining in the glow of the giant Landmark Columbus began its long standing tradition finest Chinese, Polynesian and of serving Columbus with the American cuisine. In February 1961, the Kahiki entrees for diners of all ages. Adults enjoy the tempting appetizers and Luncheon and Banquet facilities are available for your parties and special a tantalizing array of exotic dishes and American events. desserts and drinks. ur Menus Offer variety of refreshing children delight in the Made for four people and is served by the costume. This ritual symbolizes an ancient sacrifice, which reportedly stopped volcanoes from erupting.

Drink exotic Mystery girl, dressed in ceremonial he Mystery Cares of the outside world seem faraway in the Outrigger Bar. Enjoy a wonderland of music and whispering waters. You can choose from exotic tropical cocktails in which rare rums, spices and fruit have ever enjoyed. JAMES RD STELZER RD Take the adventure today! E. BROAD ST. Telephone: (614) 237-5425. Columbus, OH 43213 Sun.- Fri. 11:30 a.m. Sat. 4:30 pm OPENS: utrigger Bar Port Colubus 17th AVE. juices make the most exquisitely refreshing drinks you