The masterpiece of William J. Dodd, Louisville Presbyterian Theological Seminary is an excellent example of Collegiate Gothic architecture. Its present adaptive usage is a fitting complement to its original function. PART I. HISTORICAL INFORMATION 1. Dates of erection: Individual erection dates for the seven components of the seminary are as follow: Haldeman Hall - 1903-October 13, Belknap Refectory - 1903-October 13, (named December 17, Barret Memorial Library - 1904-October Harbison Memorial Chapel - October 1905-October Grant-Robinson Hall - October 1905-October The Annex - October 1905-October Todd Memorial Hall - Spring 1908-September (dedicated October 19, Limited budget of the Seminary was a factor in the long construction of the complex.
Additional major pieces of architectural ornament are as follow: John T. Cooper Gateway - dedicated December 17, William F. Booker Memorial Chimes - 2. Architect: William J. Dodd . Contemporary sources cite the seminary as the masterpiece of Dodd. It was executed at the time when Dodd was in partnership in the firm of McDonald and Dodd. LOUISVILLE PRESBYTERIAN THEOLOGICAL SEMINARY HABS No. (Page 2) Dodd's architectural training was undertaken in Chicago under teachers William Henney and Solon Spencer Bemen. Following his training Dodd prepared plans for the new town of Pullman, Illinois.
His next employment was with the Northern Pacific Railway as an architect for several years before coming to Louisville in One of his earliest known works, executed by the firm of Wehle and Dodd in was the Standard Club House in Louisville. He later joined Mason Maury, Louisville's Chicago School architect, as a partner. The partnership produced the following buildings: Louisville Trust Company St, John's Church (rebuilding) - Eleventh and Jefferson Streets. Covenant Presbyterian Church - Fifteenth and Jefferson Streets Kenyon Building Following his partnership with Maury he joined the firm of McDonald and Dodd, which produced the following buildings: Stewart Dry Goods Store Louisville Lincoln Building , Louisville Citizen's Life Building.
Louisville Atherton Office Building , Louisville Citizens National Life Insurance Company Office Building........ Anchorage Kentucky Mary Anderson Theater.. Louisville Tyler Hotel .Louisville Weissinger-Gaulbert Apartments Louisville First Christian Church Louisville Fourth Avenue Methodist Episcopal Church Louisville John C. Capterton Residence Louisville Hunter Raine Residence Memphis, Tennessee C. H. Raine Residence Memphis, Tennessee William J. Dodd Residence Louisville Louis Seelbach Residence. Louisville Seelbach Hotel (with Frank Mills Andrews). .....Louisville Original and subsequent owners: The Louisville Presbyterian Theological Seminary is located on lot 83 of block in the City of Louisville.
The following references to the title of this lot are found in the Jefferson County, Kentucky Deed Books. Deed, August 27, recorded in Deed Book page Fidelity Trust and Safety Vault Company, executors and trustees under the will of Thomas L. Barrett sold a x lot on the northeast corner of First and Broadway Streets to the Louisville Presbyterian Theological Seminary for The lot was the site of the residence of Thomas L. Barrett, deceased. LOUISVILLE PRESBYTERIAN THEOLOGICAL SEMINARY HABS No. (Page 3) Deed, June 24, recorded in Deed Book page Charles R. Long and Nancy M.
Long sold a 60 ' x lot located 150 feet east of the northeast corner of First and Broadway Streets to the Presbyterian Theological Seminary of Kentucky for Deed, October 31, recorded in Deed Book page Louisville Presbyterian Theological Seminary sold the lots to the City of Louisville for approximately Deed, March 30, recorded in Deed Book page The City of Louisville sold the lot to the Commonwealth of Kentucky for use as a college 4. Builder, contractor, suppliers: Galvin and Pox excavators Julius Piazza and Son foundation and other stone work Bowling Green White Stone Company stone Blatz and Krebs .cut stone Peter-Burghard Stone Company .......stone George W. Seymour and Company .concrete flooring John Mitchell of C.E. Moody and Company woodwork William H.
Zeiser .....painting, decorating, and glazing The Lambs of New York City........ John on patmos {stained glass memorial window in Harbison Chapel) Wagner and Sons tin and plate roofing 5. Original plans and constructions No plans dating from the construction of the Seminary are known to exist. There are several photographs of the exterior extant and photographs of the interior of the chapel extant. Early descriptions of the building give not only original rooms' functions and arrangements, but also furnishing descriptions. Tudor Revival furniture was used in the Refectory, the Director's Room in Grant-Robinson Hall given by Grant, the Library given by H.O. Hausen of Anchorage, Kentucky, and the Chapel.
Mission influence furnishings were originally in the social room at the base of the Barret Library below the second floor library. A set of bowling alleys was in the basement of Grant-Robinson Hall, whose upper floors were used for administration and classroom purposes. Each classroom, of which there were four in Grant-Robinson Hall, contained an adjoining professor's stu^'y. The Director's Room on the second floor of Grant-Robinson was over the central doorway facing the courtyard. A stained glass window, "Samuel and the School of Prophets," lit the large wooden stairway. Dormitory rooms primarily designed for single occupancy were located on the third floor of Grant-Robinson Hall. LOUISVILLE PRESBYTERIAN THEOLOGICAL SEMINARY HABS No. (Page 4) Halderaan Hall, named for Walter N.
Haldeman a prominent Louisville newspaper man, was totally devoted to student housing. It, too, contained dormitory rooms primarily for single occupancy. Because the most pressing need was living space and dining space the Refectory and Haldeman Hall were first constructed. Classes at that time were held in the Harbison House, which was later demolished to make way for Grant-Robinson Hall, and in the Second Presbyterian Church, located at the northwest corner of Fourth and Broadway Streets, now demolished. Belknap Refectory originally consisted of a large Gothic dining room served by kitchens in the northeast corner of the building. Criticism was directed at the great outlay of money for the elaborate dining room.
However, such outlay was justified by the architect because of the need to create a space visually balancing the Chapel located at the other side of the Library. The refectory was named for Mary Richardson Belknap in recognition of her substantial financial gift to the Seminary. Barret Library, in memory of Lucy Stites Barret, contained social rooms behind the monumental doorway on the first floor. The second floor contained a grand reading room paneled and lit in the Collegiate Gothic style. Above the library in the tower were located stacks and the Westminster chime of bells. At the erection of Harbison Chapel the Harbison home was demolished. Harbison Chapel originally held a seating capacity of 250 in Gothic pews. Gothic lights hung from the hammerbeam ceiling.
The donor of the chapel, Rosa Harbison McLennan, also furnished it and gave the pipe organ. The memorial window, John on the Isle of Patmos," was donated by John Harbison, Isabella Stewart, and Elizabeth Berry McLennan. An endowment of was given by McLennan for the upkeep of the chapel. A panel of two angels facing each other was set in the Gothic arch behind the pulpit. The chapel ceiling of oak was composed of exposed trusses. The chapel was memorial to John J. Harbison who was a director of the Seminary and father of McLennan. The Annex, situated between the chapel and the Grant-Robinson Hall, contained two classrooms with adjoining professor's studies on its first two floors and dormitory rooms on the third floor above.
Todd Memorial Hall, the last to be built, contained only dormitory rooms, which, functionally, cause it to become merely an extension of the adjoining Haldeman Hall. The total construction cost was LOUISVILLE PRESBYTERIAN THEOLOGICAL SEMINARY HABS NO. (Page 5) Alterations and additions: Following the purchase of the Seminary by the state in extensive renovation was undertaken to prepare it for use as a community college. The Louisville architectural firm of Lewis and Henry laid out the plans for renovation. Following is a list of major changes undertaken in Dormitory rooms refitted for classroom purposes. Kitchen removed and library stacks installed. Refectory converted into reading room for library. Fire door installed between Haldeman Hall and Belknap Refectory.
Rear social room in Barret Library refitted as vestibule and a window seating removed. Chapel refitted as reading room-auditorium; pews removed; organ removed; Gothic lights removed; spot lights installed; chancel fittings removed; pews and lights reinstalled in Jeffersontown (Kentucky) Presbyterian Church. Booker Memorial Chimes removed by the Seminary. Library books and furnishings removed; lights retained. Stack area converted to music practice rooms and recording studio; steel stair installed. Bowling alleys removed and basement refitted as commons area. Director's Room refitted as classroom. A stained glass window, "Samuel and the School of Prophets" removed. All glazing and flooring replaced.
Steel fire stairs installed, and wood stairs removed - two in Grant Robinson Hall and two in Todd Memorial Hall. Flourescent lighting replaced incandescent lighting. Acoustical ceilings in* ..ailed in all areas except Refectory and Chape1. All interior surfaces {except woodwork) repainted - this includes painting over the angel panel in the chapel. LOUISVILLE PRESBYTERIAN THEOLOGICAL SEMINARY HABS No. (Page 6) Interior courtyard redesigned and replanted. Exterior doors to Barret Library replaced. B.
Historical Context: Louisville Presbyterian Seminary, from its erection onward, served as a joint seminary for both the United Presbyterian Church (Northern) and Presbyterian Church (Southern) in America.* The only such seminary in the united States, it provided a model of inter-denominational cooperation in a period noted for its factionalism and division. Prom it have graduated numerous leaders and pastors of both denominations. Once theologically conservative and now liberal, its move in to its new, spacious home on Alta Vista in Louisville, is a reflection of changing emphasis in theological education. The original building committee which was appointed in March of consisted of the following individuals: Rev. Peyton H. Hodge, Mr. John Stites Mr. Nunemacher Dr. Cornelius Skinner Mr.
Logan C. Murray It was this committee which commissioned William Julian Dodd as architect for the new seminary. PART II. ARCHITECTURAL INFORMATION General description: The three-story Collegiate Gothic building is actually a complex of seven buildings, which form an u-shape, and of which one or more of them were built at one time over a seven year construction period. White limestone quarried from Bowling Green, Kentucky provide the stone walls for all of the buildings. Because of numerous projecting bays of various sizes, gabled dormers, battlements, irregular window arrangement and other elements all buildings, except the east wing, are generally not symmetrical in form. Entrance to the complex from Broadway Street is by an ornate gateway which occupies a central location.
The stone carvings which grace the gateway are rich in detail. The gateway was built in as a memorial to John T. Cooper. Past this is a large projecting entranceway with narrow octagonal towers. It opens onto Lucy Stites Barret Library. Its notable features include richly carved stone details and the carved stone heads of Plato, Augustine, Alfred the Great, Charlemagne, John Calvin and John Knox, which are on the frames of the arched doorway. The double doors are set back within a few feet of the entranceway. A delicate triple Gothic arched window of leaded glass is above the entranceway. Above this window is a battlement with a clock.
*The creation of the seminary was the result of the consolidation of the two branches, formerly known as the Danville Seminary, founded by the Northern # Church in and the Louisville Seminary, founded by the Southern Church in LOUISVILLE PRESBYTERIAN THEOLOGICAL SEMINARY HABS No. (Page 7) The front (south) facades of the east and west wings on Broadway Street are similar in appearance, though different in detail. Both have spiraled Florentine building corners with octagonal turrets and finials at the third floor level. A one-and two-story bay window projects out from the east wing which is not present in the other wing. The east wing consists of Todd Memorial Hall, Haldeman Hall and Mary Belknap Refectory. Symmetrical form is evident in the east wing only.
The windows, though of various sizes and types, are evenly arranged. The west facade of this wing includes a projecting central pavilion with a "battlemented "balcony at the third floor and a porthole window at the gabled dormer. Small round-arched doorways between the pavilion provide access for the Haldeman Hall and the Todd Memorial Hall. The door to Haldeman Hall has tapering pilasters and a pediment supported by scrolls, while the Todd Memorial Hall door has a pediment on scrolled half-columns. The Grant-Robinson, Annex and the Harbison Chapel constitute the west wing. The Grant-Robinson Hall is entered through a projecting central entranceway which have two four-story towers. At the second floor, above the entranceway, are five windows with elaborate stone tracery grouped together.
Four windows on the third floor have simple detailing. To the right of the entry are two first floor bay windows. Each bay contains three Gothic-arched windows. An unusual castle-like three-story "building with battlements houses the annex, which is joined on either side by Grant-Robinson Hall or the chapel. The Harbison Chapel has double- and triple-arched windows and two gabled dormers. The Mary Belknap Refectory is similar to the chapel in general appearance. PART II. SOURCES OF INFORMATION A. Early View: Old view of interior of Harbison Chapel can be found in the handbook for the Louisville Architectural Exhibition of B.