a. Primary and unpublished sources: Biographical File on Atlee B. Ayres in the American Institute of Architects' Library, Washington, D. C. Biographical File on Atlee B. Ayres in the Barker Texas History Center, Sid Richardson Hall, The University of Texas at Austin, Austin, Texas. Cameron County File at the Institute of Texan Cultures, San Antonio, Texas. In interviews with Mr. Calvin Walker, of Swanson, Heister, Wilson, and Claycomb, Architects, Central Brownsville, Texas, on July 13, Mr. Walker explained the and remod- eling of the courthouse by his firm and also furnished copies of their plans for those alterations. In interviews with Mr. D. B. Alexander, Professor of Architectural History, University of Texas at Austin, on July 7, Mr.
Alex- ander contributed general information about Atlee B. and Robert M. Ayres and about their work. In interviews with Mr. Robert M. Ayres of Atlee B. Ayres and Robert M. Ayres, Architects, on July 5, Mr. Robert Ayres, who was the son of Atlee Ayres and his partner from until his death in furnished drawings for photocopying. He also furnished biographical information on Atlee Ayres and informa- tion on the buildings they worked on together. CAMERON COUNTY COURTHOUSE HABS No. (Page 5) b. Secondary and published sources: Atlee B. Ayres, FAIA, and Robert H. Ayres, AIA, Architects. This was privately printed and illustrates the work of the firm. It also contains advertisements from various contrac- tors and suppliers who worked with the architects. According to D. B.
Alexander, the book was probably printed in the and served as a brochure for the firm. A copy is available in the office of Atlee B, and Robert M. Ayres, Architects, in San Antonio, and in the Archives of the School of Architecture, University of Texas, Austin, Texas. Branda, Eldon S., ed.;The Handbook of Texas: A Supplement, Vol. III. Austin: The Texas Historical Association, Webb, Walter Prescott, Editor-in-chief. The Handbook of Texas. Austin: The Texas State Historical Association, Welch, June Rayfield, and J. Larry Nance. Courthouses of Texas Dallas: G. L. A. Press, Withers, Daniel. San Antonio: A History of Color and Graphics San Antonio: San Antonio Conservation Society, Prepared by: Betty Bird University of Virginia # Project Historian PART II. ARCHITECTURAL INFORMATION A.
General Statement: 1, Architectural character: This large brick and terra cotta public building displays a fine interior rotunda with art-glass dome. Much of the plaster relief ornament is reminiscent of the decorative work of Louis Sullivan and the Chicago School. 2. Condition of fabric: Good. B. Description of Exterior: 1. Overall dimensions: The rectangular plan, approximately 100 feet by 120 feet, has three stories above an elevated basement. 2. Foundation: Foundations are concrete throughout. CAMERON COUNTY COURTHOUSE HABS No. (Page 6) 3. Wall construction, finish and color: Walls are of brown brick in running bond, with, terra-cotta trim- A terra-cotta water table extends around the perimeter with brick banded courses through the first floor.
The banding consists of six brick courses alternating with one recessed brick course. At the second-floor line is a terra-cotta band extending around, the perimeter. The second and third floors have recessed brick panels inset between brick pilas- ters and between second- and third-story windows. Above each of the entrances on the matching facades, and between the brick pilas- ters, there are set two tall tapered terra-cotta half--columns, with matching quarter-column at each side, each capped with a terra- cotta corinthian capital.
The pilasters also have terra-cotta Cor- inthian capitals, and together with the half-columns support a terra- cotta architrave and denticulated cornice- A brick frieze above the cornice has cast-iron ventilating grilles and terra-cotta brackets which support a second terra-cotta cornice. Its surmounting para- pet holds, over each entrance, a cresting of a terra-cotta cartouche bearing the inscription An inscription in the frieze of the architrave above the columns runs "CAMERON COUNTY COURTHOUSE." A granite corner stone is on each exterior corner of the building, 4. Structural system, framing: The structural system is of reinforced concrete and steel. 5. Chimneys: None of visual merit. * 6.
Porches, stoops, bulkheads, etc.: There is a rectangular, pro- jecting, flat-roofed entrance porch at the center of each facade, the front face having triple portals, each with flat arch, and rusticated pier jambs in terra cotta, the large central portal flanked by a smaller portal at each side. In the ends of each porch there is a window-like terra-cotta framed opening. The porch is approached from-street level by seven granite steps in a rank slightly wider than the porch, with a terra-cotta rail and pedestal at each side, and iron handrails marking the approach path to the central entrance portal- The porch ceiling is of plas- ter, and has a plaster cornice with a terra-cotta band beneath it.
To the right of the porch on the northeast facade there is a con- crete bulkhead, with concrete ramp and steps leading into the basement. 7. Openings: a. Doorways and doors: Beyond each central porch portal on each facade, the entrance has a deep recessed stone surround and an arched, beveled glass transom. Each of the large, heavy wooden framed double doors has a full-length beveled glass panel, sur- rounds of wood, brass threshold, brass hardware, and a large brass kick plate. The double-leaf wooden paneled door to the basement through the bulkhead has an iron gate across it on the exterior. This door has wooden surrounds. CAMERON COUNTY COURTHOUSE HABS No, (Page 7) b.
Windows and shutters: Double wooden windows between the brick pilasters have one-over-one lights in single-hung sashes behind a superior transom. Windows have terra-cotta exterior surround and wood interior surrounds. There is a terra-cotta lintel and 3 sill with, an additional wooden sill. There are brick spandrel panels between windows on second and third floors. Wooden win- dows in the basement have one light, top-hinged, projecting sash, wooden surrounds, and ..iron bars over the exterior. Some windows have been removed and the openings plastered over. 7. Roof: a. Shape, covering: The flat roof has a built-up asphalt cover- ing over a concrete deck and a brick parapet with roof drain. There is a flat roof with asphalt covering over the porches, and a hatch with a shed roof of wood. b.
Dormers, cupolas, towers: In the center of the roof is an octagonal lantern with galvanized iron louvres around the brick walls. It has a built-up roof on the sloping panels and metal gutter. Above the lantern is an octagonal skylight with sloping wire-glass panels. Horizontal metal louvres face the walls of the skylight. C. Description of Interior: 1. Floor plans: a. Basement: The basement under the entire building houses offices and mechanical equipment. b. First floor: The entrance in the center of each facade opens into a corridor that leads into an octagonal rotunda. At the left and right of the northwest corridor is a stairway leading to the upper floors. Each of the quadrants around the rotunda contains offices. c.
Second and third floors: Second-and third-floor plans are sim- ilar to those of the first floor, with a passageway around the open well of the rotunda. Offices radiate from the rotunda pas- sageway. 2, Stairways: The two principal stairways are alike with the exception that only one leads to the basement. The steel, closed-string, dog- leg stairway has marble treads and risers, leading to each floor. The decorative cast-iron grille that forms the balustrade railing extends from a large cast-iron newel at the basement to a newel at the landing and continuing to the third floor with newel at each landing and floor. CAMERON COUNTY COURTHOUSE HABS No. (Page 8) At the third floor, the iron railing turns and ends at a half- newel at the wall.
The newels have a pendant extending below the ceiling at each floor and landing. A wooden handrail is mounted on top of the iron railing. The same cast-iron baluster railing and handrail protects the wells of the rotunda. There is a metal spiral stairway from the second floor to the roof, with a pipe handrail. The stair formerly extended to the basement. 3. Flooring: Flooring in the corridors and rotunda is black and white mosaic ceramic tile, bordered and patterned, with a marble base. Some offices have vinyl-asbestos tile floor covering and many have carpet. The floor in the basement is concrete. 4. Walls and celling finish: Walls and .ceilings are plaster. There is a marble wainscoting on the first and second floors and in the stairways.
Some offices have modern wood paneling on the walls. The dome over the rotunda is art glass with decorated plaster ribs. Of particular importance to this building of Atlee B. and Robert M. Ayre is the Sullivanesque plaster decoration evident on each floor, and on the soffits of archways leading from the rotunda into office areas. There are pilasters at the intersection of the angles of the octagonal shape with plaster capitals. On the first floor, each of the floor corridors leading into the rotunda has a coffered barrel vault ceiling of plaster. Each rib leads down to a pilas- ter that has a plaster capital. There are plaster cornices at the ceilings. Arched openings into the rotunda have Sullivanesque plas- ter decoration on the faces and soffits of the arch.
Walls in the # basement are brick and wood paneling and ceilings are exposed con- crete structure. 5. Doorways and doors: Most doors are wooden panel with a glass panel in the top with patterned, frosted-glass transom. The wooden archi- trave is a wood panel-like trim with plinth blocks. Some doors are modern aluminum store-front types with metal thresholds. 6. Special decorative feature, trim, and cabinet work: In the corri- dor on the first floor, each door to an office is in the center of the coffered panel in the ceiling. The plaster Sullivanesque orated ribs between the coffers extend to the walls ending at a corinthian capital on top of a pilaster. In the center of each coffer is a large fronted-glass sphere lighting fixture.
The plas- ter arch over each face of the octagon on the third floor has Sul- livanesque decoration and an ornate shield at the keystone. 7. Mechanical equipment: a. Heating: A modern heating and air-conditioning system is in operation throughout the building. # CAMERON COUNTY COURTHOUSE HABS No. (Page 9) b. Lighting: Most offices have modern lighting fixtures. Second- floor lighting fixtures are white glass globes that are fixed in a decorative plaster bracket series. In the center of the dome there is a hanging light fixture with twelve branches de- pending from a central fros.ted-glass bowl, each branch tipped by a smaller frosted-glass globe. D. Site: 1.
General setting and orientation: The courthouse sits in the center of the block, bounded by East Street on the northwest, East Street on the southeast, Monroe Street on the northeast, and Madison Street on the southwest. There are parking areas on all four sides. There is a landscaped area on the southeast and north- west sides, with numerous palm and ebony trees. A concrete side- walk extends around the perimeter next to the building, and another sidewalk at the perimeter of the parking area. There are residen- tial, commercial and office properties across the streets. Prepared by: John P. White Texas Technological University Project Supervisor ' PART III.
PROJECT INFORMATION At the suggestion of a national preservation consultant, Ellen Beasley, this project was undertaken by the Historic American Buildings Survey (HABS) and the Office of Archaeology and Historic Preservation, in cooperation with the Brownsville Historical Association and the Brownsville City Planning Depart- ment. Under the direction of John Poppeliers, Chief of HABS, the project was completed during the summer of at the Historic American Buildings Survey field office, Brownsville, Texas, by John P.
White (Associate Professor, Texas Technological University) Project Supervisor; Betty Bird (University of Vir- ginia) Project Historian; and Student Assistant Architects Scott Deneroff (University of Maryland), Susan Dornbusch (University of Virginia), Matthew Lowry (University of Pennsylvania), Eduardo Luaces (University of Florida), and Alan Willig (the City College of the City University of New York). Special assistance and support were provided to the HABS team by Mary Simmons, Sally Fleming, Miss Theresa Champion, and Mr. Calvin Walker of the Browns- ville Historical Association; and by Mr. Mario Moreno, Mr. Richard Waldman, Graciela Salinas, and Mr. Larry Brown of the Brownsville City Planning Department.
Archival photographs of the project were made in February by Bill Engdahl, of Hedrich-Blessing, Chicago, Illinois. Editing and final preparation of the documentation was carried out in the HABS Washington office by Lucy Pope Wheeler of the HABS professional staff.