1. Primary and unpublished sources: Survey material prepared by Sandra Merrill for the Brownsville Architectural Historical Survey and Preservation Plan on file in the Office of City Planning, Brownsville, Texas. Measured drawings of the Stillman House, University of Texas School of Architecture Archives, Austin, Texas. These drawings were done in the early by a student of D. B, Alexander. Interview with Kino Camarillo, Stillman House, Brownsville, Texas, on July 26, Kino Camerillo is not only caretaker of the Stillman House but has lived on the property for the past thirty- two years. He furnished information about alterations to the house and about th& Treviiio family. 2. Secondary sources: Chatfield, Lieut. W. H. , U. S. Army.
The Twin Cities of the Border, Originally published in New Orleans, Printed by E. P. Brandao, Reprinted in by the Harbert Davenport Memorial Fund, the Brownsville Historical Association, and the Lower Rio Grande Valley Historical Society- photo-engraving of Stillman House and biographical sketch, of Thomas Carson.) Charles Stillman: New York: Printed for Chauncey Devereux Stillman, [Copy in HABS Library.] STILLMAN HOUSE HABS No. (Page 5) Stillman House. Brochure, published by the Brownsville Historical Association, Brownsville, Texas. (Out of print.) Webb, Walter Prescott, Editor-in-chief. The Handbook of Texas. Austin: The Texas State Historical Association, D- Supplemental Material: Information on the restoration of Stillman House, obtained from the.
Texas Medallion files of the Texas Historical Commission, P. 0. Box Austin, Texas. Photographs of the house being restored can also be found in these files. Letter from Grace Edman, Member of the Cameron County Survey Committee to Mr. George W. Hill, Executive Director, Texas State Historical Survey Committee, 112 West Street, Austin, Texas, reads as follows'concerning restoration photographs: No. 1 The Stillman House in process of careful restoration as it was in as far as can be discovered Study and Plan- ning at every stage has gone on both in New York City and Browns- ville . No. 2 The original brick columns wera plastered and are now replastered.
New flooring for the porch, to be like the original, was bought in Houston and milled there by specifications, as was any other lumber needed. No. 3 A little of the lumber bracing is changed. This picture and No. 2 show the substantial foundation of brick, all walls being thick and a continuation of the foundation subdivisions. No. 4 The patio can be seen through the main hallway, where is shown air conditioning being installed before replacing the ceil- ing. A heat-pump provides cooling and heating for modern needs. No. 6 Supplementary bracing was put in (and left there) as shown to assure adequate support for a new slate roof. The roofing was shipped in from Vermont, the cost being less than the freight. No.
7 Side garden as it was on acquisision: shrubbery, cistern, stable, carriage house and storage rooms, yet to be restored. On the opposite side of the wing of the main house (right) is another cistern in the brick inlaid patio. No. 8 Part of the same side yard, which will be modified by the Garden Committee, to create a semi-formal garden of the Toward the hack, in front of the carriage iususe, will be a shaded area. Members will formalize the patio, also- Much. thought has gone into the redecorating of the interior walls, under supervision of an expert on early American homes and furnish- STILLMAN ROUSE HABS No. (Page 6) ings available in the 5Qs and You may alao rememher the hexi- gon bricks on the front walk, and in the kitchen, which do not show up in any pictures.
The news item was in the Herald the Bacon vas called in when Powel became ill. The latter is the specialist Mr. Stillman sent down last year. The two of them talked to Bacon by telephone; she had been recommended. tt was Lydia Powel, then Keeper of the American Wing in the Metro- politan Museum of Art (later the Department of American Decorative Arts) who had been called in to advise by Chauncey D. Stillman. Powel drew up the plans for furnishing the house after spending some time in Brownsville inspecting the older residences. Shortly before the house was finished, Powel had a heart attack. The work was then carried on by the Brownsville firm of Helen Bacon, Interiors, using Powel's plan. All furnishings came from the Stillman family.
Further information on the Stillman House Restora- tion appears in the Texas Medallion files of the Texas Historical Commission. Prepared by: Betty Bird University of Virginia Project Historian PART II. ARCHITECTURAL INFORMATION A. General Statement: 1. Architectural character: This Greek Revival brick structure, with center hall plan, is one of the earliest homes of this type built in Brownsville. 2. Condition of fabric: Good. B. Description of Exterior: 1. Over-all dimensions: The L-shaped is one story in height with a five bay front. Measurements were not made. 2. Foundation: Brick, with metal grille foundation vents. 3. Wall construction, finish, color: Pink brick laid in common bond, 4. Structural system, framing: Brick, load-bearing walls with wood framed floor and roof construction.
STILLMAN HOUSE HABS No. (Page 7) 5. Porches, stoops, bulkheads, etc-: A porch across the entire front facade has a flat roof supported by four large round plastered columns, painted white. The columns have brick pedestals at the porch floor level, with the two at the center extended and two brick, steps between them- The floor is of wood, plastered, with molded trim- The simple wood porch balustrade, painted white the bottom rail raised a few inches from the floor, the balusters square-sided with simple wood rail extends between columns across the front, and from the corner columns to the walls, Thare is a small extension of the roof at the two side doors of the kitchen forming a stoop with no floor but the brick paving of the courtyard beyond. 6.
Chimneys: There is a brick chimney in the top of each gable end wall at the front side of the roof ridge. The chimney is on the wall parapet, and flush with the face of the wall, and extends up to a projecting brick cap. There is an arched brick chimney hood. There is a brick chimney on the end wall of the kitchen that is flush with the outside face of the wall also. The chimney extends up to a cap of four stepped brick courses. 7. Openings: a. Doorways and doors: The main entrance is on the center axis of the front facade. The wood panel door is flanked by a sidelight each side. The sidelight has a lower wood panel topped by a twenty one-light (various sized) sash.
There is a heavy jamb between the door sidelight with a simple wood molding cap, supporting a deep lintel, above which is a twenty- one-light transom, also of various sized lights. The door has wood surrounds, wood sill and threshold, and the interior trim has plinth blocks. There is a plastered projecting lin- tel over the opening. There is a door to the kitchen opposite each other on the southeast and northwest walls. The vertical wooden plank doors have wood surrounds and brick sills. There is a double opening at the northeast end of the center hall opening to the patio. It has a pair of wood panel doors with a glass top panel which has adjustable wooden louvres over it on the inner side. There is an eighteen light transom above, and wood surrounds.
The opening leaf has a large wrought-iron lockset with a brass knob and a wrought iron top and bottom door bolt. b. Windows and shutters: Wooden, single-hung windows have six- over-six-light sashes and wooden adjustable louvre shutters, painted dark green. There are wooden sills and flat arch lintels. Lintels and sills on the front windows are plastered and painted white and project from the walls. STILLMAN HOUSE RABS No. (Page 8) 8. Roof: a. Shape, covering: The gabled roof has slate shingles. The gahla ends at the front of the roof rise into a sloping trick, parapet with, projecting brick, cap. The rear wall of the- kitchen has a horizontal, stepped brick parapet. There is a flat roof on the rear of the huilding. h. Cornice., eaves: The wood cornice is boxed and painted white.
There are metal downspouts. C. Description of Interior: 1. Floor plan: The entrance in the center opens into the center hall. On the tight side of the hall are the parlor, dining room, and study, one behind the other in succeeding order. The parlor has two windows on the southwest wall and one on either side of the fireplace on the southeast wall. There is a door in the center of the northeast wall leading into the dining room. The projecting fireplace with projecting flue above is plastered and has a simple wooden mantelpiece. There is a concrete hearth, The small dining room has a window on the southeast, a door in the center of the northeast wall (to the study) and a door in the center of the northwest wall (to the hall).
The study has a window on each of the northeast and southeast walls, in the center, and a door to the hall in the center of the northwest # wall. The hallway is wider at the second bay towards the rear. At the left side of the center hall on the front is the west bedroom. It is like the parlor with the exception that it has no door on the northeast wall. Beyond the bedroom is a small room used for a museum display room, with a window on the north- west wall, a door on the northeast wall to a larger display room, and a door on the southeast opening into the center hall. The large display room also has a door on the southeast leading into the center hall. There is a window on the southeast wall and two on the northwest wall.
A door in the center of the north- east wall leads down two brick steps into the kitchen. The kitchen has opposing doors on each of the northwest and southeast walls, leading to the exterior. There is a window on each side of the door on the southeast wall. Across the northeast end is a large brick fireplace with a raised hearth for cooking. 2. Flooring: Flooring is of wide wooden boards. The flooring in the center hall changes direction, running at right angles to the flooring in all the other rooms except the large display room. Flooring in the kitchen is of hexagonal clay tile. STILLMAN HOUSE HAES No. (Page 9) 3. 'Walls and ceiling finish.: Plaster walls and ceilings, painted, appear throughout. Some of the rooms have picture molding on the wall, forming a cornice around the room.
The front bedroom has a wallpaper frieze. There are simple round molded plaster ceiling medallions in some rooms. 4. Doorways and doors: Mortise-and tenon wood panel doors with wood surround, plinth blocks, and brass knobs occur throughout. 5. Mechanical equipment: a. Heating: Modern heating and air-conditioning equipment used. b. Lighting: In the center hall are three hanging-light fix- tures in series. The first has a clear-glass, etched, sphere with a glass shield above it. The second one is hexagonal, a black metal frame with alternating etched glass panels of red, blue, and white- There is a clear glass shield above this fixture. At the rear of the center hall, the third is a hang- ing black metal hexagonal fixture with frosted, etched-glass panels, and a clear glass bottom.
In the parlor is a black and white hanging light fixture with three pear-shaped weights suspended by a black chain from small pulleys. There is a three-branched light fixture with frosted etched-glass shades, a vase-like center and a plate bottom. All is decorated with black and white. The light fixture in the dining room has a suspended, frosted shade, decorated with painted florals, hanging from a chain at the ceiling in a gold-leaf medallion. From the medallion three brass rods support the shade. The study has a five-branched brass candelabrum with five small engaged brass spheres on a chain hanging from the ceil- ing. Lighting fixtures in the display room have modern fluor- escent fixtures. D. Site: 1.
General setting and orientation: The house faces southwest on the east corner at the intersection of East and East Washington streets. It is surrounded by commercial properties. There is an iron fence on top of a brick sill extending across the front of the property and part way around each side. The iron fence is intercepted by a brick wall with sloping cap at the sides. There is a brick walk along the southeast edge of the house and extend- ing around the perimeter of the house. At the northwest side is a garden with numerous large trees and plantings. There diagon- ally laid brick walks leading to and around an octagonal brick planter. There are brick benches around the outer edge of the octagonal walk.
In the garden near the kitchen is a raised brick cistern with two large concrete posts on top pierced near the top by a pulley bar. STILLMAN HOUSE HABS No. (Page 10) On the southeast side of the kitchen is a hrick-paved patio. There is a raised Brick well with, a sloped brick paving around it. There is some planting in the patio. At the rear of the patio is a high brick wall with a large-arched double opening leading to the alley. There is a brick buttress in the patio on each side of the opening. 2. Outbuildings: a. Toilets: There is a small brick building, with a flat roof, housing toilet facilities, located in the patio. The building has a concrete floor and a wood panel door leading into each of the toilets. b.
Carriage house: The brick carriage house is at the rear of the site at the northwest side of the house. It has three large arched openings on the southwest. The one in the cen- ter has iron gates and grilles over it. The one on the right has the lower part filled in with brick and iron grill- work in the top part. The left side has been filled in with brick and a door leading into living quarters. The living quarters were inaccessible for recording. The carriage house has a brick floor, brick walls, and exposed wood joists and ceiling. The joists have a bead on each side. The shed roof has an open cornice and built-up asphalt roofing. There is a large double opening on the rear to the alley. A high window on the alley side has iron bars and wood shutters. Prepared by: John P.
White Texas Technological University Project Supervisor FART III. PROJECT INFORMATION At the suggestion of a national preservation consultant, Ellen Beasley, this project was undertaken by the Historic American Buildings Survey (HABS) and the Office of Archaeology and Historic Preservation, in cooperation with the Brownsville Historical Association and the Brownsville City Planning Depart- ment. Under the direction of John Poppeliers, Chief of HABS, the project was completed during the summer of at the Historic American Buildings Survey field office, Brownsville, Texas, by John P.
White (Associate Professor, Texas Technological University) Project Supervisor; Betty Bird (University of Vir- ginia) Project Historian; and Student Assistant Architects Scott Deneroff (University of Maryland), Susan Dombusch (University of Virginia), Matthew Lowry (university of Pennsylvania), Eduardo Luaces (University of Florida), and Alan Willig (the City College of the City University of New York). Special assistance and support were provided to the HABS team by Mary Simmons, Sally Fleming, Miss Theresa Champion, and Mr. Calvin Walker of the Browns- ville Historical Association; and by Mr. Mario Moreno, Mr. Richard Waldman, Graciela Salinas, and Mr. Larry Brown of the Brownsville City Planning Department.
Archival photographs of the project were made in February by Bill Engdahl, of Hedrich-Blessing, Chicago, Illinois. Editing and final preparation of the documentation was carried out In the HABS Washington office by Lucy Pope Wheeler of the HABS professional staff. #